Montag mit Marguerite Montag mit Marguerite

Berlioz apparently couldn’t decide if his was an oratorio or an opera, so he labeled it a “légende dramatique.”  Since its 1846 Paris premiere, it remains on both opera stages and in concert halls, with its first Met staging in 1906. 

All about my mother All about my mother

On her 90th birthday “Trove Thursday” presents the late great Belgian mezzo Rita Gorr parenting Régine Crespin in Massenet’s Hérodiade.

Il core vi dono Il core vi dono

With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.

The best is yet to come The best is yet to come

The CD explosion coincided with an enormous increase in interest in HIP (historically informed performance) so now there were lots of commercial recordings of the sort of operas I had turned to pirates to find.

Something extramarital Something extramarital

Saturday evening conductor Will Crutchfield revived Donizetti’s La Favorite—unheard in New York for fifteen years.

Als wären Sie die Statue auf Ihrer eigenen Gruft Als wären Sie die Statue auf Ihrer eigenen Gruft

I am certain that we Parterrians are a very literate, even literary, group.

Lady be good Lady be good

Anna Netrebko‘ s new CD of Verdi arias seems to be a bold, defiant, “in your face” statement about the direction she is taking with her career.

No place like Rome No place like Rome

Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.

Anna squared

I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious…

Tosca divina

This review was not going to be primarily about Shirley Verrett. She is not a singer I am all that familiar with and when I was sent this DVD of Tosca to review a week ago, I focused more on the director of the production, baritone-turned-producer Tito Gobbi, than on the singers. But sometimes life…

Remembering Shirley Verrett

When handing out the goodies, the gods weren’t stingy with Shirley Verrett.  Few opera singers were as prodigiously gifted as Verrett:  the perfect amalgam of Kunst and Stimm housed in a frame of voluptuous allure.  In addition to an instrument of stunning natural beauty and easy range, Verrett displayed superior musicianship, dramatic intelligence and searing…

Shirley Verrett 1931-2010

La Cieca has just heard that magnificent American mezzo-soprano and, later, soprano Shirley Verrett died earlier today. She was 79.  

norma, is that you?

La Cieca finally finished listening to her review copy of the Beverly Sills reissue Norma last night, a recording she hasn’t heard since, oh, sometime during the disco era. This is first time this recording has appeared on CD, at least in wide release, and naturally going to be of interest to Sills (or Shirley…

queen of the pirates

Leyla Gencer: The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas, Renata Tebaldi, Renata Scotto, Montserrat Caballe, and Magda Olivero, all of whom shared roles in her repertoire. Ironically, Gencer has a number of important credits attached…

a solo from the chorus

La Cieca received this letter yesterday. If you have reviews, opinion pieces, appreciations, or (as in this case) a Letter to the Doyenne, please email to [email protected].  Saving New York City Opera?

Queen of the Pirates

[This article originally appeared in the print zine precursor to this site, one of a series of surveys of live recordings by critic Leila de Lakmé.] Leyla Gencer. The very name is exotic. She was an artist of Turkish ancestry who, during the 1950s and 60s, held her own despite the presence of Maria Callas,…

Who’s the missing star?

La Cieca was just wondering about something yesterday on opera-l, and doggone if Anne Midgette wasn’t wondering about the same thing today in the New York Times. (That woman haunts my dreams, I tell you. It’s like she’s inside my head. Now, where was I? Oh, yes…) The point that dear Anne and I (among…

Thank you, Sir, may i have another, Sir?

Cher public, those of you who have written to La Cieca wondering at the frequency Anthony Tommasini uses the word “strapping” to describe opera singers of the male persuasion — well, wonder no more. According to the New York Times archives, Tony has flogged his favorite modifer no fewer than 44 times in the past…