A specter, haunting
Kaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
34 pieces since 2008 — at 2 companies, most often at Metropolitan Opera.
15 pieces as Metropolitan Opera — stats above show all coverage for Robert Lepage.
View allKaija Saariaho’s spectral, shattering Innocence makes its Metropolitan Opera debut.
Cycle II represented an embarrassment of musical riches.
At the Metropolitan Opera’s Götterdämmerung on Saturday afternoon, the fires which consumed the Gods burned lukewarm.
Stefan Vinke’s Siegfried was not so much brawny and terrestrial, but heady and mercurial
Die Walküre crystallizes the cycle’s questions, ideas, and stakes.
The Metropolitan Opera delivers on the promise of Wagner’s Gesamtkunswerk in a revival of Robert Lepage’s Ring.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
Much like Wagner’s Tristan und Isolde, which launched the Met’s 2016-2017 season, Kaija Saariaho’s L’Amour de Loin is an opera about love and death.
A “lone voice in the wilderness” booed Barbara Frittoli’s calamitous Nedda.
Since 2010 I’ve been reading nothing but horror being heaped upon the Met’s new Ring. It’s been like a cross between a cruise ship size buffet spread of internet snarking and a slasher film re-cast with music critics.
“The critical reaction to the Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the latter part of the […]
“Near the end of Robert Lepage‘s production of Wagner’s Die Walküre, which opened at the Metropolitan Opera on Friday, there is a moment of arresting visual beauty. The raked stage slowly rises and, with the help of projections, turns into a looming, stark, snow-covered mountain. It’s a breathtaking transformation, one that encapsulates everything that’s wrong […]
Great expectations awaited the Met Opera’s new production of Das Rheingold, staged by the ambitious Canadian director Robert Lepage, and rightly so. With a 45-ton set carrying a $16 million price tag, a world-renowned cast, and maestro James Levine celebrating his 40th anniversary on the podium, who wouldn’t be on the edge of his seat as […]
Crossing the Plaza and seeing two thousand chairs gleaming in the gloaming with rain slick and thoughts of the evening that might have been for many. Past the ticket takers and the buzz of voices, the gawkers lined up on the stairs to see the celebs, I wend my way through and up and up. […]
Cher public, who else but La Cieca brings you such in-depth arts coverage that you get not one but two reports from spies at the dress rehearsal of the Met’s new La Damnation de Faust ? After the jump, eyewitness accounts of the Lepagerie from Our Own Gualtier Maldè and Sanford.Â
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