In a satanic panic, this week Chris’s Cache presents trio of performances of Mefistofele
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.
Anticipating Leontyne Price’s 96th birthday on February 10, Chris’s Cache presents the American diva in an epic collection of live performances.
The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.
The great Spanish mezzo soprano Teresa Berganza died on May 13 at the age of 89, so Trove Thursday salutes one of its favorites with a pair of dazzling rare live Mozart performances.
As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.
Trove Thursday celebrates Christa Ludwig with live excerpts from 1955 through 1982.
Saturday marks the centenary of Julius Rudel’s birth which Trove Thursday celebrates with Le Coq d’or, Faust and Ariodante, a triple-bill showcasing his impressive versatility, featuring Beverly Sills and Norman Treigle, two of the most important artists he nurtured during his leadership of the New York City Opera.
Trove Thursday acknowledges the late Raymond Leppard‘s important influence with a live broadcast of his seminal “realisation” of Cavalli’s L’Ormindo plus some Cavalli and Monteverdi tidbits with Janet Baker.
To mark Beverly Sills’s 90th birthday (May 25, 1929) “Trove Thursday” offers the late diva’s acclaimed Massenet heroine opposite her ideal Des Grieux, Alain Vanzo.
Throughout the evening I couldn’t help thinking that this1870s Biblical epic of erotic obsession and penance was what the Met should have been doing this fall rather than its misbegotten Samson et Dalila.
Norman Dello Joio, who was knocking about winning prizes for film and TV scores, composed The Trial at Rouen, his second opera on the subject, for NBC.
Due to bandwidth limits “Trove Thursday” must post some more modest offerings in months with five Thursdays.
A classic 1974 New York City Opera La traviata with Beverly Sills, John Stewart and Dominic Cossa conducted by Julius Rudel.
“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.
Shirley Verrett remains one of my all-time favorite artists, and I am pleased to introduce her to my Mixcloud site in one of her parade roles: the femme fatale in Saint-Saëns’ Samson et Dalila.
“Trove Thursday” continues its mini Shakespeare festival with a delightful performance by the New York City Opera of Die Lüstigen Weiber von Windsor.
Sills at the peak of her powers and Handel’s 1743 secular oratorio make a perfect match.
While Bernard Herrmann is remembered primarily for the seven films on which he collaborated with Hitchcock, he also composed one opera: Wuthering Heights, written between 1943 and 1951.
To celebrate the 86th anniversary of her birth (25 May 1929), I bring to a close Beverly Sills’ traversal of the Donizetti “Tudor Queens” with this live Anna Bolena from 1973.
Our own Jungfer Marianne Leitmetzerin delves back into those days when there was another opera company in New York, and (what’s more) the opera done there was worth hearing.
The legendary conductor, mainstay of New York City Opera for 35 years, has died, says @nprclassical.
For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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