Bye bye baby
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
9 pieces since 2012 — at 3 companies, most often at Metropolitan Opera.
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
In the month and a half leading to Bernard Haitink’s passing on October 21, my AirPods constantly channeled a musical festival of sorts centered on the Dutch giant’s expansive discography.
“Who knows what evil lurks in the hearts of men?” went the introduction to the 1940s radio program The Shadow, an apt description for the San Francisco Opera’s production of Rusalka.
August on “Trove Thursday” begins with Midsummer Mezzo Madness featuring a sterling quartet of lower-voiced ladies
“Trove Thursday” celebrates the thrilling Finnish soprano Karita Matilla in the ultimate diva role.
This may be Karita Mattila’s greatest role.
With February 14th falling on a Sunday, there will be no Valentine’s Day Met performance this year.
Bohuslav Martinu’s The Greek Passion has had a rough life.
Janácek’s Makropulos Case has only chalked up thirteen performances in three previous runs at the Met and will have just five more this season. Try to catch at least one.
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