Damned to hell
Only the singers, led by Benjamin Bernheim, can salvage a dismal La Damnation de Faust at the Théâtre des Champs Elysées.
Jakob Lehmann
10 pieces since 2018 — at 1 company, most often at Teatro Nuovo.
10
pieces
1
company
9
years
By company
Thane and suffering
In the 1847 version of Macbeth, the forces of Teatro Nuovo lacked the thunderous punch this music can pack, but provided a pleasant ride
Come, young waverers
Too young to be in love. But not too young to go to war or to die.
It’s hard to be a saint in the city
It was thrilling to see and hear Will Crutchfield’s insights come to life onstage in performance when Teatro Nuovo performed Poliuto at the Rose Theater at Jazz at Lincoln Center Wednesday July 19.
Disorientation
Teatro Nuovo took a big risk in a bad way on Wednesday with its revival of Rossini’s Maometto II.
Rossini al fresco
Last night, for the first time in nearly a year and a half, opera returned to Lincoln Center.
She’s a stranger here herself
The four leading roles in La Straniera were all attractively cast by Teatro Nuovo with fresh, promising young voices that did not seem quite ready for the big time.
There is no spoon
Can a work with indisputably great music fail to add up to a successful opera? I puzzled over that Sunday during Teatro Nuovo’s essential concert staging of Rossini’s La Gazza Ladra at SUNY Purchase.
Drama is real
Teatro Nuovo put on a perfectly delightful show on Thursday night.
Social Medea
Simone Mayr’s Medea in Corinto, a curious work of 1813, has been revived by Will Crutchfield’s new enterprise, Teatro Nuovo.
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).