Christof Loy‘s Louise in Aix-en-Provence scratches at the urban– and operatic– unconscious
Perhaps a piece of Mahler’s? For Wagner Month, Chris’s Cache offers the unexpected collaboration Die drei Pintos, started by Wagner-predecessor Carl Maria von Weber and completed by one of Wagner’s followers, Gustav Mahler
This summer’s festival, taking place amid record high temperatures and in the wake of its artistic director, Pierre Audi, featured a disquietingly zeigeisty focus on sexual violence.
I did not expect Dorothy Kirsten‘s autobiography to be so rewarding a read: I did so twice.
After the break the ladies stepped up their game so much that it elevated the night into legendary status: definitely one for the books!
Trove Thursday goes mini-epic with Gustave Charpentier’s naturalistic slice-of-life of fin-de-siêcle Paris in a rare 1999 Renée Fleming performance of Louise co-starring Jerry Hadley, Samuel Ramey and Felicity Palmer.
Although Gustav Mahler never wrote an opera, his colossal Eighth Symphony “The Symphony of a Thousand” may give us some glimpses of what a Mahler opera might have sounded like
Anna Netrebko sang throughout with a palpable sense of joy and ease in vocal production, never a hint of strain or any moment forced.
Camille Saint-Saëns was such a brilliant, facile musician that pals like Wagner and Liszt felt a distinct schadenfreude when he suffered composer’s block.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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