A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
47 pieces since 2008 — in 12 roles, at 9 companies, most often at Metropolitan Opera.
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
Sony Classical has now released “Leontyne Price Prima Donna Assoluta” containing nearly her entire operatic oeuvre in a box set.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
On Wednesday, the still-active, still radiant Virginia Zeani turns 90.
A great man has passed and our consolation is that so much of his art has been preserved for us on recordings.
Franco Corelli was born on April 8, 1921 in Ancona and Trove Thursday celebrates the matinee-idol tenor’s centenary with a pair of his rare non-Met US appearances; seducing Marie Collier in La Fanciulla del West and vacillating between Ilva Ligabue and Grace Bumbry in Il Trovatore.
By some quirk of fate, I tend to hear about the deaths of many operatic legends via radio news while out driving.
A quintessential theater man as well as a brilliant conductor, James Levine rightfully chose not only the five-act version of Don Carlo for this 1980 performance but begins the opera as Verdi had originally conceived it. The Woodcutters chorus and the episode in which Elisabetta gives her necklace to a destitute woman are pages essential to […]
“Trove Thursday” presents Falla’s La Vida Breve in a live concert version with Victoria de los Angeles, one of Spain’s greatest singers, as Salud.
Following last week’s performances in Cleveland, Ronnie Banerjee compares six different versions of the Kostelnicka’s monologue from Leos Janácek’s Jenufa for “Perspectives on an Aria”
Yes, there were other Giocondas if not of quite the same distinction. Chronologically…
In attempting to get a little bit of everything onto my Mixcloud page, I realized that I inadvertently neglected some essentials: 1) Leyla Gencer 2) La Gioconda.
With most of us dug in for the duration, there’s no better time to tuck into a CD box set of neglected treasures. Not that I needed an excuse, mind you.
Trove Thursday offers a pair of live broadcasts of Médée featuring two compelling mid-20th century divas—Inge Borkh in German and Eileen Farrell in Italian.
On this day in 1970 the Metropolitan Opera presented new productions of Cavalleria Rusticana and Pagliacci.
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
Diva November meets Wagner December when Chris’s Cache this week offers Régine Crespin as both Elisabeth in Tannhäuser and Senta in Der Fliegende Holländer via a pair of American pirates from the 1960s.
Tannhäuser pales beside the other great Wagnerian operas in the degree to which it has innovated the Regisseur’s vocabulary for set design and dramaturgy.
Live recordings of Hans Knappertsbusch conducting Parsifal seem to proliferate like stairways in M.C. Escher prints.
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