Danielle De Niese

24 pieces since 2009 — in 13 roles, at 7 companies, most often at Metropolitan Opera.

24 pieces
13 roles
7 companies
18 years

Role Ariel

Role Cleopatra

Role Despina

Role Eurydice

Role Galatea

Blonde date

Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best […]

Role Musetta

Role Norina

Role Partenope

Role Poppea

Queen sized

The last day of December a parcel arrived in the mail containing an absolute delight: “Semiramide—La Signora Regale.” One of best vocal recordings of 2014, this sumptuous 2-CD set on Deutsche Harmonia Mundi features the marvelous Italian mezzo-soprano Anna Bonitatibus and includes 90 minutes of rarely-heard music written for the legendary Babylonian queen.

By 3 comments

Role Roxane Coss

Role Susanna

Three quarters of a crazy day

Our JJ‘s review of the Met’s revival of Le nozze di Figaro didn’t make it into today’s New York Post for reasons that you should be able to figure out once you’ve read the piece. At the suggestion of his editor, La Cieca is publishing it here. 

By 54 comments

Role The Child

“Parade” passes by

“Parade” is defined simply by the Merriam-Webster Dictionary as “a pompous show.” Fitting enough, then, that the triple bill titled Parade: An Evening of French Music Theatre recorded at the Met on March 16, 2002 consists of Erik Satie’s ballet Parade, Francis Poulenc’s Les Mamelles de Tirésias, and Maurice Ravel’s L’Enfant et les Sortilèges. These […]

By 10 comments

Role Venus

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