I wanna be the one to walk in the sun
Two recent Paminas feature in concerts at Lincoln Center and Carnegie Hall.
Christian Van Horn
58 pieces since 2013 — in 30 roles, at 13 companies, most often at Metropolitan Opera.
58
pieces
30
roles
13
companies
14
years
By role
Colline 5
Narbal 4
Bluebeard 3
Méphistophélès 3
Donner 2
Mefistofele 2
Alidoro 2
Oroveso 2
Giorgio 1
Raimondo 1
Pistola 1
Ramfis 1
Nick Shadow 1
Simon 1
Speaker 1
The Four Villains 1
Zoroastro 1
King Philip II 1
King Philip 1
Friar Laurence 1
Filippo II 1
Figaro 1
Fiesco 1
Escamillo 1
Enrico 1
Don Ruy Gomez de Silva 1
Doktor 1
Count Walther 1
Claggart 1
Banquo 1
By company
Metropolitan Opera 15
San Francisco Opera 10
Lyric Opera of Chicago 7
Canadian Opera Company 2
Dallas Opera 2
Chicago Symphony Orchestra 1
Cleveland Orchestra 1
Opéra national de Paris 1
Opera Philadelphia 1
Philadelphia Orchestra 1
War Memorial 1
Washington Concert Opera 1
Washington National Opera 1
15 pieces as Metropolitan Opera — stats above show all coverage for Christian Van Horn.
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Doublet trouble
A messy new I puritani at the Met is a historic and historical disappointment.
Nice piece of Tales
Les Contes d’Hoffmann is something of a puzzle in which some of the pieces are missing and others been altered to fit since Offenbach died before he could complete and revise the work.
Parable of the prodigious son
I’m old enough to remember when Yannick Nézet-Séguin could do no wrong.
Dreamers with empty hands
It’s autumn in New York, baby.
A farewell to Frisell
Old opera productions at the end of their performing life can be sad affairs.
Zero gravitas
On the train ride home I was thinking that I don’t want to see or hear Norma ever again.
A crazier day
Saturday’s performance of Le nozze di Figaro at the Met mined the humor from Mozart’s divine setting of Beaumarchais’s play about a crazy day in the Almaviva household.
Queen of the New Year
Although the gold glitter cannons detonated at the end of the act were an ostentatious reminder that this was a celebration of the new year, it seemed that the only words on anyone’s lips as the audience filed out of the theater were “Viva Netrebko!”
Every snarl and shimmer
Yannick Nézet-Séguin and the Metropolitan Opera Orchestra reigned supreme at the opening night of Wozzeck on Friday evening, rendering every snarl and shimmer of Berg’s score with gripping intensity.
The devil’s eye candy
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
Faust of fury
“Trove Thursday” keeps the evil deeds going this All Saints’s Day with a vintage La Scala broadcast of Arrigo Boito’s only completed opera Mefistofele.
Dark matter
In Schikaneder’s patriarchal cosmology, darkness is the province of emotional women—not just the erratic fury of the Queen of the Night, but the pathetic supplications of Pamina as well.
You give me fever
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
He is big
Falstaff, Verdi’s final opera, is exuberantly inventive, bubbling and roiling with ideas the 79-year-old composer was too impatient to develop.
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
