One night of love
Your alte Jungfer’s requisite Kuschelkatze (pictured) arrived on my doorstep in Mariahilf with the name of Tristan.
66 pieces since 2008 — in 18 roles, at 9 companies, most often at Metropolitan Opera.
Your alte Jungfer’s requisite Kuschelkatze (pictured) arrived on my doorstep in Mariahilf with the name of Tristan.
“Trove Thursday” offers a Der Fliegende Holländer from New York City Opera featuring the underrated American soprano Johanna Meier.
For the fourth annual edition of “Handel for my birthday” Trove Thursday serves up three heaping portions of “old-fashioned oratorio.”
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
Five decades before the Met turned to computer-assisted planks to help tell the story of Wagner’s Ring cycle, the company stirred controversy and comment with another staging of the tetralogy. General Manager Rudolf Bing imported a stark, abstract production from the Salzburg Festival in order to secure the services of Herbert von Karajan, who not […]
In the month and a half leading to Bernard Haitink’s passing on October 21, my AirPods constantly channeled a musical festival of sorts centered on the Dutch giant’s expansive discography.
My sole live encounter with Seiji Ozawa coincided with his final appearances at the Metropolitan Opera, where he conducted its 2008 revival of Tchaikovsky’s Pikovaya Dama.
I was first exposed to Hänsel und Gretel as a child, likely via The Metropolitan Opera’s 1982 PBS telecast.
A live broadcast of the prologue to Ariadne auf Naxos featuring Julia Varady, a favorite sopranos in a role she sang only rarely.
Eli Jacobson inaugurates parterre box’s new “Perspectives on the Aria” feature with a deep dive into Leonore’s “Abscheulicher!” from Beethoven’s Fidelio which returns to the Metropolitan Opera tomorrow with the Met’s current dramatic soprano star Lise Davidsen as Leonore.
Chris’s Cache wraps up November with Régine Crespin’s Chicago Leonore; two rare Met Fidelios headed by Christa Ludwig and Hildegard Behrens; and a concert performance with Birgit Nilsson led by Leonard Bernstein, plus a final twist: excerpts of Carol Vaness in Leonore.
Orfeo’s 150 Years box chronologically documents some of the finest nights of live opera from the Wiener Staatsoper in the years following its restoration in 1955.
Herbert von Karajan once said listening to some of his old recordings made him envy painters who could simply burn the pictures they disliked.
There were, of course, other Chénier recordings beyond the truly great ones…
As New Yorkers swelter in the Fahrenheit 90s. Trove Thursday escapes to wintry Vienna 1920s for Richard Strauss’s Intermezzo (in English) sumptuously conducted by Julius Rudel and starring the incomparable Elisabeth Söderström as the delicious, exasperating wife of Alan Titus.
I take such comfort in the assumption that someone or something will save us from injustice and the lust for power.
The 1965 season was a time of big changes at the Vienna State Opera.
Undaunted by Hurricane Hannah, La Cieca continues her presentation of Lohengrin at Unnatural Acts of Opera. Lohengrin: Jess Thomas Elsa: Claire Watson Telramund: Walter Berry Ortrud: Christa Ludwig Koenig Heinrich: Martti Talvela Heerrufer: Eberhard Waechter Vienna State Opera, Karl Boehm, 1965. Lohengrin Act 2
It’s time for the annual celebration of the birth of Leonie Rysanek (who, as you know, is your alte Jungfer’s Diva of Divas).
It seems almost comical to think now but the designer-director Jean-Pierre Ponnelle, who died in 1988, was at one time considered the height of regie-theatre scandal.
The very first Vienna post-war performance of Elektra.
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
Myto’s transfer of Herbert von Karajan’s star-bedecked 1958 Die Walküre from La Scala gives collectors on a budget access to one of the legendary performances committed to tape.
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