The replacements
Second casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
15 pieces since 2014 — in 8 roles, at 2 companies, most often at Metropolitan Opera.
11 pieces as Metropolitan Opera — stats above show all coverage for Anita Hartig.
View allSecond casts in Don Giovanni and Turandot at the Metropolitan Opera offer mixed blessings.
What is there to say about the Franco Zeffirelli Bohème? What is left to say?
Is there any opera more bullet-proof than Le Nozze di Figaro?
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
La bohéme returned to the stage of the Metropolitan Opera once again last night (does it ever leave?)
I was extraordinarily happy Monday evening to encounter Angel Blue and Russell Thomas as Mimi and Rodolfo.
Last night was my fourth or fifth wade into the slough of Bartlett Sher’s production of Offenbach’s Les Contes d’Hoffmann at the Met since its premiere in 2009.
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Two months after my last visit to this season’s sixteen-performance run of Puccini’s Turandot, I returned eager to witness the latest chapter in the sporadic Met career of Nina Stemme. Rising stars Anita Hartig and Alexander Tsymbalyuk also appeared in their roles for the first time at the Met, so Monday evening turned into a […]
On Thursday evening Jennifer Wilson “finally” made a belated, disappointing Met debut as Turandot.
La bohème is such a popular romantic opera that hardly anyone ever notices that Mimì and Rodolfo undergo what in modern terms would be called speed dating.
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