As time goes on, I realize just what you mean to me
There is a slight chill in the air during the final minutes of La Traviata.
8 pieces since 2016 — in 7 roles, at 4 companies, most often at San Francisco Opera.
There is a slight chill in the air during the final minutes of La Traviata.
Folks who have never attended a full-length, uncut Giacomo Meyerbeer grand opera have been known to pout and ponder: Why did the most popular opera composer of the mid-nineteenth century all but vanish from the stages of the world after a hundred years?
Antony and Cleopatra was an auspicious start to San Francisco Opera’s second century, a performance that seems to improve as I continue to think about it.
The big news on Van Ness Avenue, it goes without saying, is Calixto Bieito’s operatic debut on these shores.
Washington Concert Opera on the occasion of Gounod’s 200th birthday presented the American premiere of his first opera, Sapho.
Politics and romance entangled in a spectacular fashion at San Francisco Operas’s Roméo et Juliette.
It surprises even me how some operas have eluded me in live performance even after lo, these many years. One of them is Gounod’s Roméo et Juliette.
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