Agrippina
“Trove Thursday” presents for the third annual installment of “Handel for my Birthday” a wickedly ideal Felicity Palmer dominating Agrippina.
26 pieces since 2009 — in 15 roles, at 6 companies, most often at Metropolitan Opera.
“Trove Thursday” presents for the third annual installment of “Handel for my Birthday” a wickedly ideal Felicity Palmer dominating Agrippina.
It’s been a rough winter in Chicago, and an especially rough one for lead singers at Lyric Opera of Chicago
Chandos’ Opera In English series continues with a new two-disc set of Strauss’ much-admired Ariadne on Naxos, with the Hofmannsthal libretto translated by Christopher Cowell. Sir Richard Armstrong conducts the Scottish Chamber Orchestra and a starry if uneven cast led by Christine Brewer in the title role. This reviewer has never fully warmed to the […]
It doesn’t get more classic than John Dexter‘s Dialogues des Carmélites.
Among symbolic classical tropes, one of my favorites (perhaps because only another classicist will understand it) is Nessus’ Shirt, an emblem of glory (a promotion, say, or an expensive luxury) that destroys you.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
Even if our monolingual American tourists can be the source of vexation for many a Parisian, our singers gave much for the city’s operagoers to admire this month in stylish productions of Semele at the Théâtre des Champs-Élysées and I Puritani at the Opéra Bastille.
Just because one can write an opera based on a film, does this necessarily indicate that one should?
Christof Loy’s dreamlike, pared-down production of Donizetti’s 1833 masterpiece Lucrezia Borgia, created for the Bayerischen Staatsoper, is brought to life on Medici DVD from performances in July 2009. The DVD of the performance is accompanied by another hour-long DVD, The Art of Bel Canto: Edita Gruberova, which includes some fascinating rehearsal and performance footage of […]
Jules Massenet’s version of the Cinderella fairy tale, Cendrillon, seems to be back in vogue after many years of obscurity.
As a child I had but a few criteria that were necessary to ensure a happy entertainment. These included mostly ball-gowns, fairy godmothers and Julie Andrews, though Sally Ann Howes was acceptable in a pinch.
A good time seemed to be had by all though I don’t recall seeing a single child in attendance.
Why, only now, Cendrillon is having its premiere at the Met is a puzzling question.
Sunday afternoon’s intermittently involving concert performance of Handel’s Alcina at Carnegie Hall starred an unusually intense Joyce DiDonato as a powerful sorceress blinded by her romantic delusions.
For those of you keeping track at home that’s four substitutions for three roles and the curtain hasn’t even gone up yet.
Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.
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