Recent Stories
A word to cher public from backstage at the box
On this day in 1956 La Divina made her Met debut as Norma
Pinchas Steinberg conducts Evgeny Stavinsky, Roman Burdenko, Giorgio Berrugi, Giorgio Misseri, Andrea Tanzillo, and Chiara Isotton in Italo Montemezzi‘s fairytale opera live from Milan.
On this day in 1961 tenor Sandor Konya made his Met debut as Lohengrin. Ingrid Bjoner debuts as Elsa.
For Philadelphia opera lovers, October means the Giargiari Bel Canto Competition—a staple event for the Academy of Vocal Arts, and a pipeline for the public to discover some of their strongest resident artists.
On this day in 1958 Met opening night Tosca with Tebaldi, del Monaco and George London. (from two years earlier. . . )
Several opera companies across the globe are marking the 100th anniversary of the birth of Maria Callas with performances of operas identified with her.
On this day in 1959 mezzo-soprano Giulietta Simionato made her Metropolitan Opera debut as Azucena
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
In Handel’s Rodelinda, a usurped monarch, believed dead, returns to avenge his deposition and reclaim the woman he loves.
Born on this day in 1926 soprano Galina Vishnevskaya
I hate to say I nearly cringe at the thought of Gioachino Rossini’s Il Barbiere di Siviglia.
Happy 68th birthday soprano Cheryl Studer
On October 20th, a wet but warmish Friday night, the Metropolitan Opera opened this season’s revival of Verdi’s Un Ballo in Maschera in David Alden’s 2012 production.
Born on this day in 1923 composer Ned Rorem
On this day in 1883 the Metropolitan Opera House opened with Gounod‘s Faust.
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Sondra Radvanovsky, Brian Jagde, Etienne Dupuis, and Vasilisa Berzhanskaya in a (surely very loud) broadcast from London conducted by Mark Elder.
On this day in 2013 the Metropolitan Opera presented Nico Muhly‘s Two Boys for the first time
Carlo Rizzi conducts Angela Meade, Liv Redpath, Olesya Petrova, Charles Castronovo, and Quinn Kelsey in a broadcast from New York
You might wonder how this slimly plotted show, which had a brief Off-Broadway run in 2007 before fading into relative obscurity, ended up occupying a piece of prime Main Stem real estate nearly two decades later. To that end, I have four words: Josh Gad. Andrew Rannells.
On this day in 2014 Metropolitan Opera premiered John Adams’s The Death of Klinghoffer. Protests break out during the performance.
All in all, this was truly a superb achievement for San Francisco Opera and an auspicious first chapter in the Wagner opera journey with Eun Sun Kim.
On this day in 1994 baritone Bryn Terfel made his Metropolitan Opera debut as Figaro.
Suddenly, here it was, and I wondered if it was a dream or an illusion.