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Guillaume Tornaire conducts Andreea Soare, Andrew Morstein, Philippe-Nicolas Martin, Ava Dodd, Hannah O’Brien, Emma Jüngling, and Dominica Williams in Camille Erlanger‘s 1911 opera from this year’s Wexford Festival
On this day in 1974 tenor Jose Carreras made his Metropolitan Opera debut as Cavardossi
No show should last 20 years.
On this day in 1968 the Kander-Ebb musical Zorba opened on Broadway
Yannick Nézet-Séguin conducts Ailyn Pérez, Gabriella Reyes, Nancy Fabiola Herrera, Mario Chang, Michael Chioldi, Mattia Olivieri, and Greer Grimsley in the Met premiere of Daniel Catán and Marcela Fuentes-Berain‘s opera.
Heartbeat Opera knows how to party.
On this day in 1926 the US Premiere and first Metropolitan Opera performance of Puccini‘s Turandot
Leos Janacek’s 1904 opera Jenufa could be a rather grim affair.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
On this day in 1918 soprano Rosa Ponselle made her Metropolitan Opera debut and her first appearance in opera as Leonora
Franz Liszt attempted practically every musical genre in vogue in the nineteenth century, although it is undeniable that a handful of the genres he only sampled (like string quartet) or adapted to his own temperament in original ways (like the symphony).
Born on this day in 1926 soprano Leonie Rysanek
Gioachino Rossini’s adorable adaptation of Cinderella famously dispenses with a slipper in favor of a bracelet to lead the Principe Ramiro back to his Cenerentola. If only this performance had benefitted from such a glittering guiding hand.
On this day in 1937 the National Broadcasting Company formed a full-sized symphony orchestra
Born on this day in 1939 soprano Lucia Popp
Raphaël Pichon conducts Andrè Schuen, Adriana González, Sabine Devieilhe, Krzysztof B?czyk, and Lea Desandre in a performance recorded at this year’s Salzburg Festival.
On this day in 1993 Dvorak’s Rusalka finally appears at the Met.
Talk of the Town
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
A favorite art song performance from Armerjacquino
“Du bist die ruh” was one of the first art songs I ever knew.
“Du bist die ruh” was one of the first art songs I ever knew.
Aristophanes’ The Frogs is a comedy with a lump in its throat – laughter coming from tears.
“What would you do if the world you knew was suddenly gone and you were thrown into the deepest abyss stripped of all humanity? Would you fight to remember who you were?”
On this day in 1994 Shostakovich’s Lady Macbeth of Mtsensk finally bows at the Met.
Let’s not forget that it’s only been two years since the Met mounted its first-ever opera by a Black composer.
Three important daughter-stepmother pairs
Happy 64th birthday baritone Thomas Quasthoff
Carlo Rizzi conducts Angela Meade, Liv Redpath, Olesya Petrova, Charles Castronovo, and Quinn Kelsey in a broadcast from New York
Two of France’s leading Early Music ensembles recently visited New York City to perform music by some of the 17th century’s leading composers.