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My comfort opera after all these years remains Puccini’s Madama Butterfly, even with its sociologically problematical presentation of Japanese culture.
Anthony Hüseyin‘s eclectic recital in Berlin explores femicide in opera through a queer, nonbinary lens.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Beckmesser’s serenade never fails to amuse, particularly when sung by Thomas Allen in this ROH recording from 1997 under the late Haitink with Tomlinson, Gustafson, Winbergh, and Lippert.
Matthias Goerne‘s Die schöne Müllerin at Carnegie Hall offers a hoary and excessive collection of mannerisms and vocal tics that served the artist more than the music itself.
In his new production that opens at San Francisco Opera this weekend, Matthew Ozawa is creating a Parsifal for the cancel culture age.
The color, power, and character are all there in this recording.
You’ll be fine.
Grand Tier Grab Bag
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Lightning strikes twice
New York audiences got a taste of Ben Bliss in Mozart this fall, but this week Grand Tier Grab Bag offers snippets of the tenor trying his hand at Handel earlier this year.
New York audiences got a taste of Ben Bliss in Mozart this fall, but this week Grand Tier Grab Bag offers snippets of the tenor trying his hand at Handel earlier this year.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
Parsifal puts Monsieur to sleep when he most needs it. He has probably listened to more versions than actually exist.
This may be a rather trite choice, but I genuinely believe that Rossini comedies make the ultimate comfort operas.
Rolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
Seeing Sondra Radvanovsky as Medea at Lyric Opera of Chicago sprawled across the floor, soaked in her children’s blood, is proof that we’re witnessing an utterly haunting singer-actor.
Talk of the Town
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
The best thing I saw in 2025 was Sunset Boulevard
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
The best thing I saw in 2025 was Elina Garanča in Aïda
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
The best thing I saw in 2025 was Der Freischütz
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
A staged Freischütz is rare enough in itself to be the highlight of any opera season, but it was in Christoph Marthaler‘s Antwerp production that I connected with the characters and felt the story for the first time.
This sequence of two arias is perfectly judged to calm the jangled or melancholic spirit.
Anna Netrebko managed to debut a new role in Naples earlier this month — Amelia in Un ballo in maschera — and this week’s Grand Tier Grab Bag features her in the complete second Act of her first performance.
This performance truly “never fails to lift my mood.”
A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.
Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?
The timing for Boston Lyric Opera’s production of Macbeth this weekend was perfect for Halloween, though the show itself at the Emerson Colonial Theatre was decidedly less spooky.
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