Recent Stories
A brief concert at the Frick Collection teases the multifaceted artistry of Davóne Tines
The women were the highlights of Washington National Opera’s militaristic Aïda
The opening of John Dexter‘s production of The Dialogues of the Carmelites (originally produced in English) is one of the most arresting and memorable images I have ever seen.
Grand Tier Grab Bag
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
In a lifetime of opera going I suppose I have seen many transformative productions, but this recent one seems, in the light of the increasing disaster enfolding this country, uncannily pertinent.
Tobias Kratzer‘s time-traveling Arabella from the Deutsche Oper Berlin, now available on DVD, turns the opera’s problems into its strengths.
I saw this production in HD, and it really shocked me because I was used to the cackling mezzo witch, guardian angels, and gingerbread figures.
Rachel Willis-Sørensen and Stephen Costello make their returns to the Met later this month and Grand Tier Grab Bag anticipates their performances by sharing them in the Act II duet from Don Carlo recorded in Munich this spring as well as a taste of Willis-Sørensen’s Liebestod
My first reaction in 1974 wasn’t good. The production was full of stairs, and I was afraid Montserrat Caballé would fall at any moment.
Talk of the Town
The 2018 Macbeth is so overrated
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
I don’t know if it’s overrated because I don’t think anyone rates it, but for pure party disc joy not much beats this 2018 recording of the original 1847 version of Verdi‘s Macbeth.
This 1955 Eugene Onegin is so overrated
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
This is the classic Onegin and there’s much to love, especially from Khaikin‘s sensitive conducting and Lemeshev‘s ideal Lensky.
The best thing I saw in 2025 was Echo 72
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
An opera about the massacre of Israeli athletes at the 1972 Munich Olympics was never going to be an easy task.
The best things I saw in 2025 were Parsifal and The Monkey King
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
Both performances moved me profoundly and served as a form of catharsis, ending a challenging 2025 with a glimmer of hope for the future
The best thing I saw in 2025 was La sonnambula
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
Easily the Met’s new Sonnambula, where cast and production team delivered a gorgeously sung and well thought out concept for a libretto often derided for its simplicity.
The best thing I saw in 2025 was Yuja Wang
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
Yuja Wang slayed in this performance of Prokofiev‘s 2nd piano concerto with the Boston Symphony.
J’Nai Bridges makes a sophisticated companion to the Morgan Library & Museum’s Renoir Drawings exhibit.
My experiences with live performances of Handel’s operas/oratorios has been hit or miss, mostly miss.
San Diego Opera’s Pagliacci puts a play within a play within a play.
Daniele Rustioni, who starts his tenure as Met Principal Guest Conductor with Don Giovanni this week, might just be the opera conductor we’ve all been waiting for — and he’s betting on a long haul.
I came to The Rake’s Progress with a huge “Show Me” chip on my shoulder.