Rome if you want to
Franco Vassallo (right) will sing the role of Ezio in the last three performances of Attila at the Met (March 19, 22, and 27).
Franco Vassallo (right) will sing the role of Ezio in the last three performances of Attila at the Met (March 19, 22, and 27).
In promoting the Great Performances at the Met telecast of Turandot, the copywriter for Channel 13 seems to miss the point by about as wide a mark as possible without actually hitting another point.
Parterre fave Joyce DiDonato headlines an all-star performance of Le nozze di Figaro broadcast this afternoon from Lyric Opera of Chicago. [WFMT]
La Cieca is going to claim doyennical privilege here and say that the correct answers for last week’s Regie quiz are disqualified on grounds of a) silly guess and b) prior knowledge. Otherwise how could she go on with these Regie quizzes, knowing that such wildly unlikely images would immediately shout “Die Meistersinger” to you? […]
This afternoon’s broadcast of La bohème (beginning at 1:00 pm) is sure to provoke lots of commentary from the parterriani. Conductor: Marco Armiliato; Mimì: Anna Netrebko; Musetta: Nicole Cabell; Rodolfo: Piotr Beczala; Marcello: Gerald Finley; Schaunard: Massimo Cavalletti; Colline: Oren Gradus; Benoit/Alcindoro: Paul Plishka.
No press release yet, but a couple of cher pubes have written to La Cieca noting that the name of Bruce Ford has disappeared from cast listings of the Met’s Armida, replaced by John Osborn.
This just in from the Met press office: “Giovanni Meoni will sing the role of Ezio in Verdi’s Attila on February 27, March 3, 6, 9, 12, 15, and 19, replacing Carlos Alvarez, who is ill.” (Photo: Ken Howard/Metropolitan Opera) UPDATED: Note the correction above, i.e., Meoni is currently announced only for the performances to […]
What better way to stay warm (and to avoid falling branches) than to enjoy Our Own JJ in a rare symposium appearance? The bloviation transpires this afternoon, and details are after the jump.
That Issac Mizrahi production of A Little Night Music for Opera Theater of St. Louis just got even gay gay gay gay gayer with the announcement of legendary diva Siân Phillips in the role of Madame Armfeldt. Also appearing will be notable non-slouches Amy Irving as Desiree and Ron Raines as Fredrik. [OTSL]
I really haven’t paid much attention to “opera regie,” so I can’t give you a firm definition of it. A while ago, a pithy and biting piece called “How to Opera Germanly” made the internet rounds, and it serves as a handy guide for we who are un- or under-initiated. This production of Haydn’s Orlando […]
Impresarios from Cornwall to Caithness are delighted to hear today that another traditionally Albion-adminstered opera company has begun the succession process with the search for a new heir-presumptive. Or, in other words, Glimmerglass General and Artistic Director Michael MacLeod is out the door at the end of the 2010 season, and now we just have […]
“Anna Netrebko‘s gorgeous lyric soprano proved an ideal fit for the role of tubercular seamstress Mimi. Like a great wine, her voice is sweet but complex, vivid with overtones. She acted with a calm, fatalistic quality, even in the death scene, where many singers overdo the coughing. Here Netrebko suggested waning strength by gradually letting […]
“It is easy to understand why Mr. Muti admires Mr. Abdrazakov, his young, imposing Attila.” [NYT]
“On her new album, Dark Hope, opera star Renee Fleming takes a ‘visit to a new, parallel universe.’ … Dark Hope finds ‘The People’s Diva’ covering songs by Muse, Arcade Fire, The Mars Volta, Death Cab For Cutie, Leonard Cohen, Band Of Horses, and more.”
“After 130 years, you’d think the Met has done everything at least once. But Tuesday was a night full of firsts…” Our own JJ, if by no means as thorough as Johnny Weird, has his own thoughts about the Met’s Attila. [New York Post]
The tutelary diva of parterre.com is 76 years young today.
First things first: how are the clothes? Well, there’s enough leather to fill The Eagle ten times over, and there’s definitely fodder for intermission conversation: an adorable tweedy, puffy coat for Uldino; the pimped-out spiky bike helmet with the L.E.D. lights for Attila; all the L.E.D. lights in fact, like the ones that outline Ezio’s […]
La Cieca hears that Bartlett Sher has already signed a new three-opera deal with the Met. The director, who completes his first trifecta with next season’s Le Comte Ory, will reportedly return to the company in 2013-2014 for two productions, one of which will be that new Nico Muhly work, Two and a Half Men […]
You’ve done it again, cher public: that is, you’ve set a new record here at parterre.com. The busy activity yesterday including the discussion of the Met’s 2010-2011 season led to the highest number of visits on a single day in parterre.com history: 5,857!
Hey, remember how New York City Opera threw this big gala last fall to salute the billionaire teabagger, Astroturfer and enemy of Net Neutrality David H. Koch? Now, La Cieca is sure that in the intervening months you have been asking yourself, “What could NYCO possibly do to top this ill-advised exaltation of someone who […]
Tomorrow night’s performance of Attila promises to be a visual feast, especially for those of us whose visual aesthetic was crystallized in the 1960s era of gigantic hair, pearlized eyeshadow, liquid eyeliner and sharply tailored sportswear. And Violeta Urmana‘s look is pretty fierce too!
Above, the cutest press photo released today by the Met. (Juan Diego Flórez in the title role of Rossini’s “Le Comte Ory.” Photo: Micaela Rossato / Metropolitan Opera.) Following the jump: more preview images of the Met’s other six new productions of the 2010-2011 season.
Intern JJ here, ready to go with live coverage of the Met’s 2010-2011 press announcement, which will begin in about 30 minutes. See you there, cher public! Latest coverage begins after the jump.
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