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Wien, 18. Oktober 2009
According to a press release from the Met, Fabio Luisi (left) will conduct all performances of Hansel and Gretel this season replacing Andrew Davis (not pictured) who has withdrawn for personal reasons.
“She was pretty but blank onstage back then, but Tuesday night’s opening performance found her too far the other direction, transforming the ironic, moody aristocrat into a Lifetime movie drama queen.” [NYP]
“Tenor Domingo collects opera gong” [BBC News]
[La Cieca is delighted to introduce a new reviewer, @scazzasofija.] I found Rosenkavalier (Met, Oct. 13) to be mostly sublime. My quibbles come from a preference for Kleiber’s tempos. I found that de Waart was waving his arms as fast as he could for the beginning, but I think the prelude and up until the…
Maria Gavrilova jumps in as Tosca tonight at the Met, replacing the ailing Karita Mattila.
Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”
Tonight’s chat during tonight’s season premiere of Der Rosenkavalier from the Met begins at 7:15 pm.
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
In the comments section of this post, you are invited to offer your opinion on why Renée Fleming‘s broadcast performance (as heard tonight, October 13) strikes you as a great portrayal of the Marschallin.
In the comments section of this post, you are invited to offer your opinion on why Renée Fleming‘s broadcast performance (as heard tonight, October 13) strikes you as not a great portrayal of the Marschallin.
I’m not sure who I find more annoying – the partisans who vigorously defend Luc Bondy‘s production of Tosca at the Met or those who decry it. As Bondy’s production replaces one of the Met’s signature offerings, both groups have seized on this event as a watershed event in the history of opera in America…
“Unfaithful lovers, sequined jumpsuits and giant silver dildos …. neon wigs and abundant confetti…. Filled with sexual innuendo, laughable levels of innocence and more than a few macho groin thrusts…” [Star Observer]
Oh, La Cieca just hates herself when she get a detail wrong. It seems that languid wunderkind Rufus Wainwright will not be performing his hit aria “Les feux d’artifice” at the gala opening of the New York City Opera saluting noted teabagger David H. Koch. The air will be performed by an actual operatic soprano,…
Good news for La Cieca’s competitive public! Tomorrow night during the Der Rosenkavalier chat (beginning at 7:15 pm), you all are invited to compete for recently released recordings of the beloved R. Strauss classic. After the jump, you’ll learn how it works.
The legendary singer was born October 12, 1935.
Which blotto basso had a hell of a time in the first part of that French opera, stumbling, forgetting words, and even losing his voice temporarily? Fortunately, after an intermission featuring hot coffee, a cold shower and a stern tongue-lashing from management, he was reborn as the superb singing actor we all know and love…
Talk of the Town
A favorite Verdi performance from Mister Snow
Nothing prepared me for the Soviero experience
Nothing prepared me for the Soviero experience
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
La Cieca congratulates matto per la lirica for identifying our most recent Regie quiz: Offenbach’s L’Ile de Tulipatan — as performed at the Wiener Kammeroper, with Waut Koeken directing. And now for something completely different.
Four of the cher public caught yesterday’s HD presentation of Tosca and have agreed to share their impressions with La Cieca and the rest: “The death of Puccini’s Tosca was much exaggerated, in fact it did not take place.” “After about 34 years of going to the opera, I don’t think I’ve ever left a…
Oh, hell to the yes, it’s a divorce.
This is the best production of Siegfried ever!
Your doyenne modestly would like to introduce the lastest of her far-flung business empire, a mini-store at amazon.com called La Cieca’s Little Shop of Arias. She suggests you bookmark this site as a convenient one-stop location for all the latest opera CDs, DVDs and other regalia. As with the various other amazon advertising here on…
The New York Times rolls out the red carpet for the Met’s revival of Der Rosenkavalier in a majorly major way today: chitchat with Renée Fleming, what Boris Goldovsky used to call “a musical and dramatic analysis,” plus, in what surely must be a first in media access, exclusive streaming content culled from yesterday’s dress…
Actually, only a single riddle, cher public, but perhaps a baffling one.
[polldaddy poll=2099796]
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