Recent Stories
Christof Loy’s highly controversial 2009 production of Berg’s Lulu for The Royal Opera House has been released on DVD (Opus Arte), with beautifully realized film direction by Robin Lough. Antonio Pappano and the Orchestra of The Royal Opera House lead an extraordinary cast of singing actors in plumbing the musical and psychological depths of this…
My grandfather warned me once: “Beware redheaded women. They’re both good and evil, depending on the second.” On Patricia Petibon’s new album Rosso the soprano combines arrestingly beautiful singing and aggressively amorous characterizations with wildly dramatic artistic choices so easily and effectively, that she in a way lends an air of truth to the old…
La Cieca has just heard (from no less a source than Sarah Billinghurst herself!) a tidbit that will no doubt interest Daniel Stephen Johnson among many others. It seems that the Met will produce Prince Igor in 2013 with Valery Gergiev (naturally) conducting and Dmitri Tcherniakov directing. The Prince himself will be Ildar Abdrazakov.
It may seem quixotic that La Cieca subscribes to Opera News, and the print version at that, but, after all, the dear people there were kind enough to interview Our Own JJ last summer on the subject of this very cum-blog, so, well, noblesse oblige and all that, you know. Since the mag is showing…
From time to time the younger queens ask La Cieca, “Why does all the camp date back decades? Did something happen to camp? Why is there no new camp? Where should we look to find our own 21st century camp? Now La Cieca has an answer for you young queens. Look no further! Camp, with…
With over 2,600 votes cast over the course of last week, you, the cher public have spoken about which operas in the Met’s repertoire will be de rigueur, can’t miss, where-the-elite-meet Sternstunden, and which productions promise no more than a great big snooze. The top ten Met offerings will be Die Walküre, Das Rheingold, Le…
Time for the blindest item of all: which world-famed and much-recorded tenor has just been signed to make what is sure to be a controversial Met debut?
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
“Let’s say that the Metropolitan Opera wants to broadcast all of its operas in 3-D. They might not want to do that over the public Internet. Who knows what other technologies might bring us?” As seen here, a possible marketing campaign for Les Contes d’Hoffmann. [New York Observer]
Our own JJ (not pictured) revisits A Little Night Music, and who should be inhabiting that chateau extravagantly overstaffed but Elaine Stritch? [Capital New York]
“The immitigable force of Italian melodrama and Mediterranean culture, which is loved throughout the world, today is worthy of a different fate and should become a means of new expressions, a national flag to be treasured. Instead, often great efforts are made to reject a culture, to massacre the work and stature of artists who…
La Cieca is always delighted when a legendary lady of the lyric stage reinvents herself. For example, who ever would have expected Montserrat Caballe to make a comeback as Radames?
Last week’s listening experiment showed that, left to their own devices, most folks spring into instant inertia. So maybe gentle prodding and encouragement would do some good.
The three Brownies applying the final touches to a tapestry – the show curtain – depicting an idyllic landscape of Windsor before the music begins are the first indication that this productionof Falstaff does not take place in Elizabethan times.
“Greek Fire…. will see [Eva] Mendes playing the role of famed opera singer Maria Callas, but don’t expect her to be doing any arias, or even lip-synching for that matter. Instead, the biographical drama will focus on Callas’ scandalous affair with shipping magnate Aristotle Onassis.” [Toronto Sun]
“Her gal-pal friends play with what look like the tails of exotic serpents and keep huge spiders as pets. I was not exactly sure what this all meant. Still, the kids squealed with delight.” No more delighted than La Cieca was when she realized that Katharina Wagner has finally caught up to Mary Zimmerman in…
Talk of the Town
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
San Francisco Opera is looking for a trio of Ramon Vargas lookalikes to serve as “doppelgängers” for the tenor in their upcoming production of Werther. [Contra Costa Times]
Congratulations to director Stephen Wadsworth, who was just named Seattle Opera’s Artist of the Year, an honor that, given Speight Jenkins‘ celebrated distaste for publicity, obviously has nothing whatsoever to do with Wadsworth’s recently inheriting the Met’s high-profile production, HD telecast, etc. of Boris Godunov. [Broadway World]
Lovely, legendary, litigious Dame Kiri te Kanawa is among the distinguished divas and dudes of the lyric stage to be honored at the 2011 edition of The F. Paul Driscoll Awards for Outstanding Achivement in the Field of Excellence. Also tapped: maestro Riccardo Muti, soprano Patricia Racette, bass-baritone Bryn Terfel and tenor Jonas Kaufmann. The…
The dramatic soprano (and soon to be belter!) celebrates her golden birthday today.
The Archangel of Fabulous (or, as he’s known under that helmet, Andrew Richards) has been following the several Calixto Bietio Parsifal discussions on our little blog quite closely and in fact he has commented, answered and otherwise reacted to a number of the parterriani concerns on his own blog, Opera Rocks.
Can you believe it’s less than two weeks before individual tickets go on sale for the Met’s 2010-2011 season? And you know that that means! It’s the time of year when La Cieca invites the cher public, for the sake of less well-informed opera fans (which, relative to you, of course, means just about everyone!)…
Dr. Jonathan Miller, the autodidact and polymath who has redefined the words “coot” and “windbag” for the 21st century, took a well-deserved hiatus from his — what is it? – 11th or 12 absolutely final irrevocable annual retirement from operatic stage direction to announce that he doesn’t attend the theater, and, what’s more, nobody begs…
La Cieca’s fans worldwide will be happy to note that she doesn’t think scandals are limited to only New York and Bayreuth. In fact, wherever Patti LuPone goes, scandale follows. Right now, La LuPone is in Chicago, and, yes, the Hogtown natives are restless.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.