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After last night’s opening of L’elisir d’amore, the chirping of the first critics is heard.
After last night’s opening of L’elisir d’amore, the chirping of the first critics is heard.
It’s taken more than a month for La Cieca to return to the Regie to the Rescue competition thanks in part to the generous wordage of the cher public.
The cher public (not pictured, one hopes) are invited to discuss off-topic and general interest topics right up to the moment the lights are dimmed.
“In the space of a few words, the leading role in a major new production had been reassigned. But why?”
As the season gears up, so does the chat at La Casa della Cieca.
UPDATE: A video preview of the new Elisir follows the jump.
But the part she seems most excited about is Lady Macbeth in Verdi’s treatment of Shakespeare’s Scottish play.
“Upon my word,” exclaims La Cieca (pictured at right, in the background), “I could almost swear I see a few empty seats on the other side of theater for the Met’s opening night performance of L’elisir d’amore!”
Frankly, the response to the Elektra quiz was uneven. La Cieca will explain after the jump.
“Is a work an opera simply because its creators choose to call it one?”
For all its rich evocations of 18th century Vienna and skillful balancing of slapstick and the sublime, Der Rosenkavalier’s popularity has always been rooted in its vivid principal characters.
“Considering one of the season’s star singers is a plus-size female impersonator, opera this fall is anything but a drag.”
Now that La Cieca (pictured) has returned to New York, she can hardly wait to hear your off-topic and general interest discussion for the week.
And finally, we come to the last night of our Ring-watching experience, cher public.
Welcome, cher public, to the second night of the week’s Wagnerama.
Welcome, cher public, to the first night of our Ring-watching experience
This is Ring week here at parterre.com, cher public.
Renée Fleming, celebrated soprano, musical ambassador and riffmeister…
Here’s a quiz compiled by Our Own DeCaffarrelli to help fill out the tedious month before the season opens, cher public.
La Cieca was hoping for an official announcement from the New York Times before she posted this, but it looks like she’s going to have to grit her teeth and link to Norman Lebrecht after all.
Press quotes on the back of this new release from EMI of Georges Bizet’s masterpiece promise ”a stylish and cliché-free Carmen” and on most fronts I think it’s a fair assessment.
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