No greater joy No greater joy

A rare production of Rossini’s Otello, with a perhaps even rarer stage performance by Cecilia Bartoli (in her role debut as Desdemona) should provide an interesting afternoon’s viewing this Thursday.

Teenager in love Teenager in love

L’elisir d’amore, Donizetti’s evergreen comedy about young love, returned to the Met last night with a strong cast, a high energy level from all the performers, and last but not least, a very full house.

Senior moment Senior moment

Being an opera lover in Los Angeles is a lot like being a Red Sox fan.  As hard as they try we never make it to the World Series, let alone the playoffs.

Mein Ross! Sei mir gegrüsst! Mein Ross! Sei mir gegrüsst!

“Pound for pound, ton for ton, it is the most witless and wasteful production in modern operatic history.”

The intermission feature must go on The intermission feature must go on

The cher public is reminded not to touch the ladies of the ensemble as they discuss off-topic and general interest subject during the week of March 4.

What the frock What the frock

“Joined by Maestro Kohn, Ms. Gheorghiu was a vision of couture fit for the cover of Vogue.”

Housekeeping Housekeeping

La Cieca (pictured, right) would like to take this opportunity before jumping on this afternoon’s Aïda chat to address a site issue or two.

Boathouse Betty Boathouse Betty

La Cieca just glimpsed this “save the date” from NYCO’s development department.

Dessa! Dessa!

La Cieca hears that soprano Latonia Moore will make her Metropolitan Opera debut this Saturday afternoon.

Sexual perversity in Chicago Sexual perversity in Chicago

In what surely must count as La Cieca’s idea of a perfect storm, Zachary Woolfe interviews Calixto Bieito in the New York Times.

I’ll never love this way again I’ll never love this way again

Two questions: 1) Why? and 2) How might this postlude be staged?

Now it is the turn of the poor little small one Now it is the turn of the poor little small one

It is hard to know just who is the intended audience for this release of Pelléas and Mélisande.

Hard cover Hard cover

Jessye Norman, the renowned opera singer, will write a memoir about her family and professional life, her publisher said on Wednesday.”

Happy Leap Day! Happy Leap Day!

YouTube yourselves into frenzy, cher public!

Dark victory Dark victory

“In a season of high-profile duds like Don Giovanni and the Ring, the Met has found a winner in a dark horse, Mussorgsky’s moody Khovanshchina.”

Hostage situation Hostage situation

“Central to the story is the fictional famed American soprano, Roxanne Coss, who will be portrayed by Australian-born American soprano Danielle de Niese.

Balk like an Egyptian Balk like an Egyptian

Sondra Radvanovsky will make her Met role debut as the title character in Verdi’s Aida on February 28…

The seasons alter The seasons alter

It takes a lot from your commenters to surprise La Cieca, but this time she was frankly bowled over by the depth and breadth of your imagination.

Comment before you leap Comment before you leap

Anything off-topic, anything general, anyone’ birthday—here’s where it belongs, cher public.

Time to say goodbye Time to say goodbye

La Cieca has just heard some interesting and completely plausible gossip about 2013-14.

Castaway Castaway

A live webcast of Ariadne auf Naxos (starring Our Own Renée Fleming) will be transmitted from the Festspielhaus Baden-Baden Saturday afternoon starting at 2:15 PM ET.

Doge gone Doge gone

Opera Orchestra of New York just announced that it has cancelled the March 7 opera-in-concert presentation of Verdi’s Simon Boccanegra.

The not too distant future The not too distant future

The Met’s top-secret hush-hush season announcement will emerge from the Holy Grail shrine later today.

L’amour est un oiseau rebelle without a cause L’amour est un oiseau rebelle without a cause

Maestro Wenarto achieves video number 1,500 with this opéra comique take on the immortal “Habanera” from Carmen.