Recent Stories
A rare production of Rossini’s Otello, with a perhaps even rarer stage performance by Cecilia Bartoli (in her role debut as Desdemona) should provide an interesting afternoon’s viewing this Thursday.
L’elisir d’amore, Donizetti’s evergreen comedy about young love, returned to the Met last night with a strong cast, a high energy level from all the performers, and last but not least, a very full house.
Being an opera lover in Los Angeles is a lot like being a Red Sox fan. As hard as they try we never make it to the World Series, let alone the playoffs.
“Pound for pound, ton for ton, it is the most witless and wasteful production in modern operatic history.”
The cher public is reminded not to touch the ladies of the ensemble as they discuss off-topic and general interest subject during the week of March 4.
“Joined by Maestro Kohn, Ms. Gheorghiu was a vision of couture fit for the cover of Vogue.”
La Cieca (pictured, right) would like to take this opportunity before jumping on this afternoon’s Aïda chat to address a site issue or two.
La Cieca just glimpsed this “save the date” from NYCO’s development department.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
La Cieca hears that soprano Latonia Moore will make her Metropolitan Opera debut this Saturday afternoon.
In what surely must count as La Cieca’s idea of a perfect storm, Zachary Woolfe interviews Calixto Bieito in the New York Times.
Two questions: 1) Why? and 2) How might this postlude be staged?
It is hard to know just who is the intended audience for this release of Pelléas and Mélisande.
“Jessye Norman, the renowned opera singer, will write a memoir about her family and professional life, her publisher said on Wednesday.”
YouTube yourselves into frenzy, cher public!
“In a season of high-profile duds like Don Giovanni and the Ring, the Met has found a winner in a dark horse, Mussorgsky’s moody Khovanshchina.”
“Central to the story is the fictional famed American soprano, Roxanne Coss, who will be portrayed by Australian-born American soprano Danielle de Niese.“
Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
Sondra Radvanovsky will make her Met role debut as the title character in Verdi’s Aida on February 28…
It takes a lot from your commenters to surprise La Cieca, but this time she was frankly bowled over by the depth and breadth of your imagination.
Anything off-topic, anything general, anyone’ birthday—here’s where it belongs, cher public.
La Cieca has just heard some interesting and completely plausible gossip about 2013-14.
A live webcast of Ariadne auf Naxos (starring Our Own Renée Fleming) will be transmitted from the Festspielhaus Baden-Baden Saturday afternoon starting at 2:15 PM ET.
Opera Orchestra of New York just announced that it has cancelled the March 7 opera-in-concert presentation of Verdi’s Simon Boccanegra.
The Met’s top-secret hush-hush season announcement will emerge from the Holy Grail shrine later today.
Maestro Wenarto achieves video number 1,500 with this opéra comique take on the immortal “Habanera” from Carmen.
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