It takes a woman It takes a woman

The plight of two women, each from different backgrounds, was on full display in San Francisco opera houses last week.

All in the family All in the family

On this day in 1967 conductor Herbert von Karajan bows at the Metropolitan Opera in Walküre.

La bohème La bohème

A live broadcast from New York

Reims or reason Reims or reason

November has brought a lot of bad news to many of us, so Chris’s Cache will end the month with a pair of “fun” operas.

Justice is deaf Justice is deaf

On this day in 1808 Beethoven‘s Fidelio premiered in Vienna

An afternoon at the opera An afternoon at the opera

Il trovatore may be famous for its melodramatic plot and unlikely mistaken identities, but surely even Verdi and Cammarano couldn’t have imagined the chaos of a performance featuring two Manricos and two Leonoras.

Thane enthusiasm Thane enthusiasm

Washington National Opera’s second full-run offering of the season, a new production of Verdi’s perennially appealing Macbeth, premiered last Wednesday at the Kennedy Center.

Agnes of God Agnes of God

Happy 80th birthday mezzo-soprano Agnes Baltsa

A Christmas story A Christmas story

This archly traditional production of La bohème was a little shaky on opening night. It nevertheless had a full complement of sterling individual performances to take us on home.

Gente là dentro Gente là dentro

On this day in 1974 tenor Jose Carreras made his Metropolitan Opera debut as Cavardossi

Bei sogni del tempo primiero Bei sogni del tempo primiero

On this day in 1839 Verdi‘s Oberto premiered in Milan

Madama Butterfly Madama Butterfly

Marina Rebeka and Joshua Guerrero lead this recent performance from Vienna.

That is really a noise! That is really a noise!

On this day in 1926 the US Premiere and first Metropolitan Opera performance of Puccini‘s Turandot.

Character assassination Character assassination

Austin Opera’s 2024 production of The Manchurian Candidate proved to be a daring and timely commentary on political power in America, shortly after the 2024 election, just as it had been before the 2016 election.

Tosca Tosca

A live broadcast from New York

Things will be great when you’re downtown Things will be great when you’re downtown

On this day in 1918 soprano Rosa Ponselle made her Metropolitan Opera debut, and her first appearance in opera, as Leonora

On an evening in Roma On an evening in Roma

After an uneven gala performance of Tosca on Tuesday, I’m not sure what the Met means by “celebrating Puccini.”

Sie jagt dich auf, schreiend entfliehst du Sie jagt dich auf, schreiend entfliehst du

Born on this day in 1926 soprano Leonie Rysanek

La bohème La bohème

A live broadcast from New York

If I rest, I Rustioni If I rest, I Rustioni

“The Metropolitan Opera announced the appointment of Daniele Rustioni to the position of Principal Guest Conductor for a three-year term.”

Afraid of their own shadows Afraid of their own shadows

Later this month the Met at last revives its striking Herbert Wernicke production of Die Frau ohne Schatten, prompting a Chris’s Cache preview of three live recordings of Strauss and Hofmannsthal’s fanciful if knotty masterpiece.

You can hear the grass as it grows You can hear the grass as it grows

Born on this day in 1914 librettist and composer John La Touche

<em>Aïda</em>, harder not smarter <em>Aïda</em>, harder not smarter

With Boston Lyric Opera’s largest opera production of the season already well behind us, the one-off semi-staged gala performance of Aïda held on Sunday at Emerson College’s Colonial Theatre to support the company’s vast education and community engagement apparatus, was a particularly enticing entry on the Boston cultural calendar.

Mixte blessings Mixte blessings

I was just moderately excited when LA Opera announced that French tenor Benjamin Bernheim would be coming to concertize at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, 90210.