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On this day in 1961 tenor Sandor Konya made his Met debut as Lohengrin. Ingrid Bjoner debuts as Elsa.
The premiere of a new Ring Cycle live from Munich
On this day in 1958 Met opening night Tosca with Tebaldi, Mario del Monaco, and George London.
A free livestream from Dallas Opera
Puccini‘s adaptation closes out the Teatro Regio’s Manon-Manon-Manon project with a live broadcast from Turin
On this day in 1959 mezzo-soprano Giulietta Simionato made her Metropolitan Opera debut as Azucena
As for complete recordings of Il trovatore, which was discussed at some length last week, there are at least 200 of them, both studio and live.
Grand Tier Grab Bag
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Women’s liberation
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Parterre Box highlights two recent Verdi Requiems of interest with a pair of Libera mes from Asmik Grigorian and Anna Netrebko.
Ash and you shall receive
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
Bellini and Donizetti may be top of mind these days, so Parterre Box offers two budding belcantisti, Beth Taylor and Dave Monaco, in a duet from Rossini’s La cenerentola.
When her ship comes in
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Anticipating the titanic arrival of Lise Davidsen‘s Isolde in New York in March, Parterre Box is thrilled to share a bit of her debut opposite Clay Hilley recorded in Barcelona last week.
Sparks flew when the San Francisco Opera opened their new production of Richard Wagner’s monumental Tristan und Isolde on Saturday, October 19th, at the War Memorial Opera House.
Born on this day in 1926 soprano Galina Vishnevskaya
Not that one, the other one! Daniel Auber‘s opera in a live broadcast as part of Turin’s Manon-Manon-Manon triptych
For the opening night of Il Trovatore, Houston Grand Opera’s new production aimed high, bringing together a star-studded cast and a fresh, contemporary take on Verdi’s intense drama.
Happy 69th birthday soprano Cheryl Studer
In concert with Renée Fleming’s quietly authoritative stage presence, the performance offered frequent reminders of the special affinity between this singer and Strauss’s aristocratic women.
Born on this day in 1921 soprano Denise Duval
Talk of the Town
The René Jacobs Giulio Cesare is so overrated
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.
The 1946 La traviata is so overrated
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
The 1957 Anna Bolena is so overrated
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
The Solti Ring Cycle is so overrated
It was many decades ago that I first listened to the Solti Ring Cycle.
It was many decades ago that I first listened to the Solti Ring Cycle.
The 1959 Aïda is so overrated
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
Karajan’s 1959 Aïda was once treated like gospel, a wall of plush Vienna Philharmonic sound and star power that critics dutifully genuflected before.
The 1973 La bohème is so overrated
The Solti recording of Bohème is completely miscast.
The Solti recording of Bohème is completely miscast.
Inspired by Harry Rose’s recent fine polemic about verismo performance practice, Chris’s Cache offers one of Opera Orchestra of New York’s most exciting evenings: Zandonai’s Francesda da Rimini from 1973 with Raina Kabaivanska, Placido Domingo, and Matteo Manuguerra.
On this day in 1883 the Metropolitan Opera House opened with Gounod‘s Faust.
Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.
Born on this day in 1912 conductor Georg Solti
Happy 79th birthday composer Thomas Pasatieri
A performance recorded last fall at the Rome Opera
György Kurtág‘s only opera live from the Wiener Staatsoper