O Engländer! Seid ihr nicht Toren…
As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.
As she herself points out, Zerbinetta is perhaps the first woman besides “the inimitable Heather MacDonald” to write a serious critique of Calixto Bieito‘s production of Die Entführung aus dem Serail.
Some rare midweek chatting fodder turns up this afternoon when the Glyndebourne Festival webcasts Ariadne auf Naxos at 6:55pm BST/1:55pm EDT.
Our JJ’s recent reminiscences over at WQXR about the whopping cost of a Ring recording back in the Mad Men era seemed all the more startling to La Cieca when she took a gander at a “new” live Ring offered by our friends at Opera Depot.
“American tenor Matthew Polenzani sings the title role opposite Natalie Dessay as Antonia, Christian Van Horn as the four villains, Angela Brower as Nicklausse, Hye Jung Lee as Olympia, Irene Roberts as Giulietta and Jacqueline Piccolino as Stella.”
For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.
We now take you to the Texaco broadcast booth for our weekly discussion of off-topic and general interest subjects.
Here’s a glimpse of the Regie route Anna Netrebko and Placido Domingo will go in November when they make their role debuts in Il trovatore at the Berlin Staatsoper.
Perhaps, you, cher public, will be crying out the above-mentioned phrase when you hear the most recent vocal collage prepared by our dear DeCaffarrelli.
La Cieca doesn’t branch out into The Film very often (even though she is quite the ardent cinephile) but the recent release—or, at any rate, the reaction to the recent release—of Baz Luhrmann‘s film of The Great Gatsby served to crystallize a few ideas bubbling about in your doyenne’s brain.
La Cieca is away, but the regular Saturday chat goes on uninterrupted: this week with archival podcasts of I puritani from 1972 starring Luciano Pavarotti and birthday girl Beverly Sills.
Probably no more than 100 gathered Tuesday in a curtained-off space in the lobby of NYC’s Gershwin Hotel to witness the North American premiere of Rodrigo by operamission.
That most profound and controversial of all operatic composers was born 200 years ago today.
The question on everyone’s lips at Carnegie Hall was, “Is Jimmy back in form?”
One startling upset catches the eye among the many winners (if that is the word) of the 2013 Parterre Box Awards.
La Cieca invites the cher public to open up and discuss any off-topic or general interests they might want to get off their chest.
Peter Gelb says the Ring will definitely not return, as originally planned, in 2017, and where has La Cieca heard that before?
For tomorrow afternoon’s chat at La Casa della Cieca, your doyenne offers an unusual double blast from the past.
The Wiener Staatsoper should be a source of some interesting backstage gossip next September as the company presents on alternating nights Angela Gheorghiu as Tosca and Aleksandra Kurzak as Violetta.
For better or worse, Decca’s new Norma recording will ultimately be embraced—or dismissed—by those reacting directly to Cecilia Bartoli’s controversial portrayal.
>Andris Nelsons has been named the new music director of the Boston Symphony.
On this, the occasion of her 37th birthday [see below], La Cieca is happy to repeat the story of how she came to be born (as first told in the pages of parterre box, issue #28.
Our Own JJ (pictured) joins in the debate over the Düsseldorf Tannhäuser with Anne Midgette and John Berry.
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