Recent Stories
New York City Opera has announced complete casting for the spring 2013 season.
La Cieca has just heard that Angela Gheorghiu has become indisposed after the first act of Tosca at the San Francisco Opera.
Opera Orchestra of New York has announced their 2012-2013 season of only two performances.
“Alden Drops the Ballo: His Milquetoast Take on Verdi’s Classic Fizzles at the Met”
Due to wellness, it is with deep contentedness that Marina Poplavskaya will after all sing the role of Alice in Robert le Diable.
In art, less is more — at least most of the time.
Midway through his traversal of Wagner’s 10 mature operas for PentaTone, we’ve learned this about Marek Janowski:
Freud, who hails from London, spent five years as the general director of Houston Grand Opera and is no stranger to bolo ties and 10-gallon Stetsons.
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Last week’s freak nor’easter set the tone for Thursday’s chilly new production of Un Ballo in Maschera at the Met.
Gather around, cher public (pictured), to discuss off-topic and general interest subjects in this weeks’ Intermission Feature.
Remember, remember, the first of November, the Occupy regie and quiz!
My figures show it’s still too early to call Ohio, but other races are more decisive.
Which singing couple is about to get involved in a messy scandal of the sort they usually experience only when performing together on the opera stage?
The realization of the opera Un ballo in maschera by Verdi and the librettist Antonio Somma is almost as famous as the opera itself.
In spite of sounding like an indelicate football injury, I Lombardi alla prima crociata was only Giuseppe Verdi’s fourth opera.
La Cieca celebrates (if that is the word) the first snowfall of the season in New York in the traditional manner.
Talk of the Town
A favorite Verdi performance from Darby Fegan
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Now that the cold war thriller The Manchurian Candidate is on track to become an opera, La Cieca naturally will turn to you, the cher public, for casting advice for the upcoming opus.
Opera’s Scottish enfant terrible David McVicar has applied his considerable skills in this 2011 Glyndebourne production of Die Meistersinger, the result being a refreshing new take on a familiar warhorse.
The battle of the sexes ended in an upset the other night in Le Nozze di Figaro.
Recently your doyenne engaged in an email-based interview with David Alden, director of the Met’s new production of Un ballo in maschera, opening on Thursday.
As we fall back to standard time, La Cieca invites to to while away all those hours of darkness with discussion of off-topic and general interest subjects.
We need a ray of Light in these dark times.
It’s confirmed!
Italo Montemezzi’s La Nave, premiered in 1918 and not performed anywhere since 1938, concerns itself with nautical power, male and female archetypes, love and hate conjoined, sex and death, the eastern and western halves of the Roman Empire — and the visionary future of Old Venice.
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