Recent Stories
Tonight at 7:00 PM, the (other) Met does a live webcast of “the sixteenth-century Kunqu opera masterpiece The Peony Pavilion.
Imagine if someone left Vermeer’s masterpiece “Girl With a Pearl Earring” out in the rain.
Our Own JJ (not pictured) is delighted and humbled—well, delighted anyway…
You might even call it “fun.”
Though his life is blessed with joy and full of hope, which artist could spare only 20 minutes to sign autographs before shouting “I’m done” and stomping away from a queue of disappointed fans?
Those slackers among you who were not in attendance for Sunday’s chat/viewing of the Bayerische Staatsoper Turandot now have the chance to get up to speed.
The theatrical expression “You can’t tell the players without a program” was never more apt than when applied to Opus Arte’s release of Cavalli’s La Didone.
Did the ancient Egyptians invent chest waxing?
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.
The last of the Strauss-Hofmannsthal collaborations, Arabella, is a real problem child.
Sometimes the simplest solutions are best, as Pat C. realized in identifying our previous Regie quiz as Samson et Dalila.
Your doyenne La Cieca (not pictured) invites you to our weekly discussion of off-topic and general interest subjects.
One of the delights of doing these weekly breakdowns is sending them in and then waiting patiently to see what sort of illustration La Cieca uses with it.
Talk of the Town
A favorite Verdi performance from Darby Fegan
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
Lyric Opera of Chicago announced today that the respected stage, film and television actor Patrick Stewart will co-host The Second City Guide to the Opera on Saturday, January 5 with internationally renowned soprano and Lyric Opera creative consultant Renée Fleming.
After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.
If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.
That’s the kind of casting abilities you’ve got, cher public, two of you in particular, who are the winners of the Manchurian Candidate competition.
Once again, we’re back with the Parmigiani at the Teatro Regio and their Tutto Verdi project marking the upcoming bicentennial of the great maestro’s birth.
Kaiser Overall—the name is intended to be sung in English, though the opera is in German—is probably mad, though perhaps no madder than anyone else.
Where does the time go?
Today’s chat combines the excitement of a contest with the life-or-death nail-biting of Turandot.
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