Dun deal Dun deal

Tonight at 7:00 PM, the (other) Met does a live webcast of “the sixteenth-century Kunqu opera masterpiece The Peony Pavilion.

Notte e giorno criticar Notte e giorno criticar

Imagine if someone left Vermeer’s masterpiece “Girl With a Pearl Earring” out in the rain.

May I have the envelope please? May I have the envelope please?

Our Own JJ (not pictured) is delighted and humbled—well, delighted anyway…

Even smiling makes my face ache Even smiling makes my face ache

You might even call it “fun.”

It was a blind item It was a blind item

Though his life is blessed with joy and full of hope, which artist could spare only 20 minutes to sign autographs before shouting “I’m done” and stomping away from a queue of disappointed fans?

Turandot on ice, now with more breakdancing! Turandot on ice, now with more breakdancing!

Those slackers among you who were not in attendance for Sunday’s chat/viewing of the Bayerische Staatsoper Turandot now have the chance to get up to speed.

Didon’t Didon’t

The theatrical expression “You can’t tell the players without a program” was never more apt than when applied to Opus Arte’s release of Cavalli’s La Didone.

Smooth operatic Smooth operatic

Did the ancient Egyptians invent chest waxing?

Transparency Transparency

Opera Teen (pictured, second from left) is not kidding us: he had an interview with Peter Gelb.

Not quite right Not quite right

The last of the Strauss-Hofmannsthal collaborations, Arabella, is a real problem child.

Regie off the port bow Regie off the port bow

Sometimes the simplest solutions are best, as Pat C. realized in identifying our previous Regie quiz as Samson et Dalila.

The V.I.P.s The V.I.P.s

Your doyenne La Cieca (not pictured) invites you to our weekly discussion of off-topic and general interest subjects.

Canned laughter Canned laughter

One of the delights of doing these weekly breakdowns is sending them in and then waiting patiently to see what sort of illustration La Cieca uses with it.

Opera pump Opera pump

Happy birthday to baritone Zachary Gordin, cover boy for this year’s Barihunk Wall Calendar.

“Where was Liam Joshua?” “Where was Liam Joshua?”

Anyone looking for orgiastic obscenity in Calixto Bieito‘s production of Carmen at the London Coliseum, will be bitterly disappointed, writes Rupert Christiansen.

Rose to the occasion Rose to the occasion

Count on Gotham Chamber Opera to spice up the spring season.

Evil mutants Evil mutants

Lyric Opera of Chicago announced today that the respected stage, film and television actor Patrick Stewart will co-host The Second City Guide to the Opera on Saturday, January 5 with internationally renowned soprano and Lyric Opera creative consultant Renée Fleming.

Working “Tito” Working “Tito”

After an uneven start to the season, the Met brought its A game Friday to a superb revival of Mozart’s La Clemenza di Tito.

The sun also rises The sun also rises

If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.

Powers that will make martial law seem like anarchy Powers that will make martial law seem like anarchy

That’s the kind of casting abilities you’ve got, cher public, two of you in particular, who are the winners of the Manchurian Candidate competition.

Who let the Doge out? Who let the Doge out?

Once again, we’re back with the Parmigiani at the Teatro Regio and their Tutto Verdi project marking the upcoming bicentennial of the great maestro’s birth.

Death, warmed over Death, warmed over

Kaiser Overall—the name is intended to be sung in English, though the opera is in German—is probably mad, though perhaps no madder than anyone else.

Shocking! Shocking!

Where does the time go?

Gli enigmi sono tre, la chiacchierata una! Gli enigmi sono tre, la chiacchierata una!

Today’s chat combines the excitement of a contest with the life-or-death nail-biting of Turandot.