Recent Stories
At the time of the recording’s release, Kathleen Battle was getting established.
Instead of giving laurels to a performance already praised since a long time, my choice will be Don Giovanni, Metropolitan Opera, May 2023.
Eat the Document, which premiered at the Prototype Festival last week, compresses a decades-long, nonlinear story into a swift 90 minutes while still finding time to pause for reflection.
Musically speaking, Così fan tutte is my favorite opera by Mozart, but not necessarily in terms of its dramaturgy
Eleanor Steber shows us how it’s done.
Edita Gruberova as Donn’Anna — “Crudele? Ah no, mio bene … Non mi dir”
Grand Tier Grab Bag
Erste Brautnacht
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Nearly three years after the premiere of François Girard’s Lohengrin at the Met, Parterre Box looks back at the production with a duet from Piotr Beczala and Elena Stikhina.
Tabled for now
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
Ahead of the return of Louise to the Opéra National de Lyon, Parterre Box features Elsa Dreisig in a much more famous French opera.
My heart belongs to daddy
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
This week, Parterre Box shares Quinn Kelsey and Jennifer Rowley in a duet from a Verdi opera rumored to be returning to New York this time next season.
Mediterranean crossings
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Grand Tier Grab Bag anticipates Elina Garanca‘s upcoming Zwischenfach pivot by sharing her in some other not-quite-mezzo repertoire opposite Brian Jagde.
Ritorna un’altra volta
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
Parterre Box anticipates Ailyn Peréz‘s upcoming New York performances of Madama Butterfly with the Puccini role most closely associated with her
My sister’s keeper
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
Grand Tier Grab Bag highlights La Scala’s opening night prima donna Sara Jakubiak with an excerpt of her Chrysothemis recorded last year.
David Fox and Cameron Kelsall take on a new revival of Gypsy: Is there any gayer or more impassioned theater topic?
Lorraine Hunt Lieberson sings Mozart’s great K 523, ‘Abendempfindung an Laura’ live at Ravinia with Peter Serkin, August 2004
Apologies in advance to Key’mon Murrah, whose rather extraordinary Marian Anderson award recital with pianist Brian Zeger at the Kennedy Center on December 17 demands some general musing.
The celebrated Austrian director, known for his picturesque and conservative stagings, was 94.
For many opera lovers of the Baby Boomer generation, German bass Kurt Moll (1938-2017) was Sarastro, exuding wisdom and kindness through his unaffected bearing and incomparably rich, homogeneous sound.
Despite not being very happy with the state of the world (and the union) and not looking forward to the New Year, this past December I took in many festive holiday offerings including a pair of oratorios.
Così is an almost post-modern opera, in that it mocks the bourgeois construction of ‘love’ as a socially-sanctioned precursor to matrimony.
A new play by Peter Danish opening at New York’s New World Stages in March will reimagine a meeting between Leonard Bernstein and Herbert von Karajan
Talk of the Town
The best thing I saw in 2025 was Stiffelio
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
Looking back, this Stiffelio in Piacenza is the one I cherish the most.
The best thing I saw in 2025 was Amartuvshin Enkhbat
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
I wasn’t alive during the golden age of Verdi baritones like MacNeil, Warren, or Gobbi, but hearing Amartuvshin Enkhbat live in an opera house must be the next best thing.
The best things I saw in 2025 were vocal recitals
I’m going with four outstanding, deeply personal NYC recitals
I’m going with four outstanding, deeply personal NYC recitals
The best thing I saw in 2025 was In a Grove
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
I had the pleasure of going with some members of the Pittsburgh Opera to the PROTOTYPE Festival in New York at the start of the year- almost unfortunate it was so early on in 2025 because it set my expectations for the year so high!
The best thing I saw in 2025 was Festen
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
It’s a dazzling, shocking, and entertaining 100 minutes – one of the best new operas I’ve seen.
The best thing I saw in 2025 was Sunset Boulevard
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
I still don’t think Sunset Boulevard is a top-tier musical but it was by far the most memorable vocal performance I saw in 2025.
A perfect meeting of voice with composer occurred when Arleen Auger took part in the rediscovery of early works by Mozart.
On 23 July 1986, almost certainly more people simultaneously experienced a Mozart aria than ever had before or since when Arleen Auger sang at Andrew and Fergie‘s wedding.
No one in recording history short of Hermann Jadlowker could do these florid Mozart tenor roles like Michael Spyres
It’s daring, it’s risky, it’s ever so much fun.
A performance recorded last fall in New York
A performance recorded in Munich two weeks ago with Pretty Yende and Xabier Anduaga
“D’Oreste d’Ajace” – Carol Vaness