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Old friends

Now, if there’s one thing I know about authorial intentions, it is that Verdi totally wanted the first act of La traviata to look like a dinner dance reunion for the class of 1988.

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The unusual suspects

Mad Scenes and Exit Arias:  The Death of the New York City Opera and the Future of Opera in America provides ample fodder for the legions of amateur opera sleuths seeking to confirm their theory of “Who Killed City Opera?”

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