Recent Stories
Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”
Grand Tier Grab Bag highlights two “Final Trios” from Der Rosenkavalier recorded just two days apart from one another.
My comfort opera after all these years remains Puccini’s Madama Butterfly, even with its sociologically problematical presentation of Japanese culture.
Grand Tier Grab Bag
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
The color, power, and character are all there in this recording.
Buoyed by a strong cast, The Metropolitan Opera continues its autumn bel canto streak with a winning revival of Donizetti’s La fille du regiment.
Parsifal puts Monsieur to sleep when he most needs it. He has probably listened to more versions than actually exist.
This may be a rather trite choice, but I genuinely believe that Rossini comedies make the ultimate comfort operas.
Rolando Villazón opens up about his production of La sonnambula, how he develops characters, and what makes opera dance.
Talk of the Town
A favorite art song performance by Harry Rose
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
What a shaded and elegant delivery William Mattteuzzi brings to this lilting setting of D’Annunzio‘s “O falce di luna calante”!
A favorite art song performance from David Phillips
Does this count as an art song?
Does this count as an art song?
A favorite art song performance from Mr. Portafiori
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
I have always loved this recording of Canteloube‘s Chants d’Auvergne sung by Dawn Upshaw and conducted by Kent Nagano.
A favorite art song performance from Mister Snow
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
Jessye Norman really embraces elements of the song falling somewhere between classical art song and popular ballad.
A favorite art song performance from La Grunowa
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
Janet Baker sings Elgar‘s Sea Pictures with such honesty and clarity and fervor.
A favorite art song performance from Ben Miller
It’s not where you start but where you Finnish
It’s not where you start but where you Finnish
Seeing Sondra Radvanovsky as Medea at Lyric Opera of Chicago sprawled across the floor, soaked in her children’s blood, is proof that we’re witnessing an utterly haunting singer-actor.
This sequence of two arias is perfectly judged to calm the jangled or melancholic spirit.
Anna Netrebko managed to debut a new role in Naples earlier this month — Amelia in Un ballo in maschera — and this week’s Grand Tier Grab Bag features her in the complete second Act of her first performance.
This performance truly “never fails to lift my mood.”
A Missa Solemnis to celebrate 125 years of Boston’s Symphony Hall was sophisticated and subdued.
Der Rosenkavalier is a three-hour meditation on nostalgia. What could be better to bathe in?