That indescribable feeling That indescribable feeling

Alma Deutscher’s quest for beautiful music permeates the score of her Cinderella from the hushed opening of the Overture.

Tutelary Tutelary

Born 99 years ago.

Yours, mine and ‘Hours’ Yours, mine and ‘Hours’

Of course the Met premiere of The Hours grabbed most of the attention last month!

Everyone’s an outlaw Everyone’s an outlaw

On this day in 1962, the Metropolitan Opera presented Ernani starring Carlo Bergonzi, Leontyne Price, Cornell MacNeil and Giorgio Tozzi, conducted by Thomas Schippers.

“Oh, thoughtless crew! Ye know not what ye do!” “Oh, thoughtless crew! Ye know not what ye do!”

One wonders whether an obsession with metrics and measurement has the potential to create arts organizations that are more preoccupied with finding systems that quickly and efficiently tick the Arts Council’s boxes than with creating meaningful, impactful art.

Co-conspirator Co-conspirator

On this day in 1990 the Metropolitan Opera presented a new production of Rossini’s Semiramide.

Everything sacred Everything sacred

Wrapping up Diva November, Chris’s Cache offers two sacred works that couldn’t be more unalike.

Bring on the night Bring on the night

On this day in 1937 the Metropolitan Opera opened its season with Tristan und Isolde.

A game of 3-D chess A game of 3-D chess

“Opera needs a reset. We think there needs to be a fundamental shift in the ecology.”

The princess bride The princess bride

On this day in 1942 the Metropolitan Opera presented a new production of Lucia di Lammermoor.

Comme un doux trésor Comme un doux trésor

On this day in 1906 a 24-year-old soprano named Geraldine Farrar made her Metropolitan Opera debut on the opening night of the season in Roméo et Juliette.

La gazza ladra La gazza ladra

Rossini’s comic opera, recorded November 16 at the Theater an der Wien.

A star is porn A star is porn

Show business fables often involve an ambitious, if naïve, ingenue (male or female) desperate for fame.  This young wannabe finds fame and fortune: but it comes at a cost.

The sense of dramatic thrust The sense of dramatic thrust

Soprano Lydia Grindatto confirmed the fine impression she had made at Giargiari vocal competition with a charismatic, thoroughly inhabited performance that showed careful preparation in every aspect.

The lady came with an excellent reputation The lady came with an excellent reputation

On this day in 1885, soprano Lilli Lehmann made her Metropolitan Opera debut in the title role of Carmen (in German, of course.)

When my ship comes in When my ship comes in

On this day in 2000 soprano Nina Stemme made her Metropolitan Opera debut as Senta.

Unhappy ‘Hours’ Unhappy ‘Hours’

The film of The Hours failed to effectively weave together the novel’s trio of threads of interiority about suicide and secondarily literary creation. I wondered if an opera would stand a better chance at achieving that?  Based on Tuesday’s diva-encrusted stage premiere of Kevin Puts and Greg Pierce’s The Hours, its creators didn’t pull it off either.

Marchons, marchons! Marchons, marchons!

On this day in 1940 the Metropolitan Opera opened its season with La Fille du Régiment, starring Lily Pons and featuring the “Casablanca” finale!

The Hours The Hours

The world premiere of Kevin Puts‘ new opera opens at the Met tonight.

The beautiful and damned The beautiful and damned

On this day in 1965 Montserrat Caballé and Sherrill Milnes made their Metropolitan Opera debuts in Faust.

Judith in disguise Judith in disguise

No one who followed Trove Thursday will be surprised that Diva November on Chris’s Cache today features Ann Hallenberg and Sandrine Piau.

Three dimensions Three dimensions

Lyric Opera of Chicago’s Don Carlos was a real feast of good singing and orchestral grandeur.

Better off dead Better off dead

I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.

Everything old is new again Everything old is new again

All things were, indeed, made new again, when Boston’s venerable Handel & Haydn Society brought Mozart’s Le nozze di Figaro to the stage, their first time doing so in its entirety, as their 2,576th concert on Thursday.