A favorite Wagner performance from Mister Snow
It took me a while to “warm up” to Wagner.
It took me a while to “warm up” to Wagner.
Quinn Kelsey, René Barbera, and Lisette Oropesa star in a performance recorded in Los Angeles this spring.
A performance recorded earlier this month in Salzburg with Lisette Oropesa and Kate Lindsey
Régine Crespin singing the Wesendonck Lieder is the most beautiful Wagner singing I’ve ever heard.
All of the Teatro Colón live opera recordings conducted by Fritz Busch are special, but his 1936 Parsifal is my favorite.
The start of the Rossini Opera Festival in Pesaro provides a perfect opportunity to enjoy a bit of the breathtaking Vasilisa Berzhanskaya recorded there last summer
Dame Gwyneth Jones as Brünnhilde pretty much started it all for me.
Daniela Barcellona leads a live broadcast from the Rossini Opera Festival in Pesaro
Júlia Várady‘s smoldering, almost feral Sieglinde from the Sawallisch/Lehnhoff Ring, remains my favorite.
A performance recorded last month at The Santa Fe Opera starring Michael Chioldi
A live broadcast from the Rossini Opera Festival in Pesaro
This is one of my favorite operas, and visually and story telling-wise, you can’t beat this production.
A live broadcast of the opening night of the Rossini Opera Festival in Pesaro with Anastasia Bartoli and Lawrence Brownlee
One final appeal for you to share what most titillates you in the upcoming season for September’s The Talk of the Town
A performance recorded last month at the Festival International d’Opéra Baroque & Romantique de Beaune featuring Les Épopées
This performance represents a perfect alignment of piece, performer, director, and conductor – the epitome of Gesamtkunstwerk.
In the midst of an eventful summer for the Arena di Verona, one important happening has flown under the radar: the return of Anita Rachvelishvili to her signature role of Carmen, of which Parterre Box features a sample of today
Rita Gorr as Ortrud, Bayreuth, 1959, Cluytens.
Iván Fischer leads an all-Hungarian team in a broadcast from the Proms
The superb 1958 Bayreuth Lohengrin, under the wonderful Cluytens.
Recency bias is in full swing here, but Glyndebourne’s first ever staging of Parsifal – and my first Parsifal – takes top prize for me.
A performance recorded earlier this summer at The Santa Fe Opera
I went to hear Eileen Farrell conducted by Leonard Bernstein at the Philharmonic in 1970.
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