(What else?)

Not really an opera book but, c’mon, it’s Bach.

I did not expect Dorothy Kirsten‘s autobiography to be so rewarding a read: I did so twice.

A juicy, guilty pleasure read!

According to the memoirs of Alma Mahler, her third husband, Franz Werfel used to wander around the cafés of Paris with one of his chums, singing arias from obscure Verdi operas at the top of their lungs until the management would ask them to move on.

Giovanni Verga‘s short story (which he adapted as a play with Giuseppe Giacosa) provides the basis for Mascagni‘s famous opera.

Alex Ross wrote an exciting, gorgeously detailed examination of, for better or worse, Ricky’s far reaching influence on music, theatre, architecture, film, literature, mental illness, Satanism, Homosexuality, and rough sex.

Vishnevskaya writes rather as she sings.

With tenth anniversary productions of Fellow Travelers, the heart wrenching gay romance opera by composer Gregory Spears and librettist Greg Pierce, due to grace several major U.S. companies next season, what better way to commemorate Pride Month than by reading Thomas Mallon’s 2007 historical novel on which it’s based?

Julian Budden‘s masterful, three-volume analysis of the entire Verdi oeuvre is fascinating reading.

Although presented as an overview of the performance of Italian opera from the first half of the 19th century, Divas and Scholars is really an impassioned defense of musicology as a discipline and of Italian opera as a subject worthy of scholarly attention.

If you love the astonishing vocal works of J. S. Bach, John Eliott Gardiner’s 2013 book is a deeply rewarding read.

A fascinating autobiography that delivers both on the diva anecdotes and on intelligent artistic observations about the singer’s life.