Parterre Box

This summer I’m reading <em>The Operetta Empire: Music Theater in Early 20th C. Vienna</em> This summer I’m reading <em>The Operetta Empire: Music Theater in Early 20th C. Vienna</em>

Fascinating account of the role of musical theater in an uneasy context of art emerging from the conflict and resolutions of high culture and popular sentimentality in an era where elites were challenged by political instability.

The Queen of Spades The Queen of Spades

The final Saturday Matinee Broadcast of the 2024-25 season, live from New York

This summer I’m reading <em>Scènes de la vie de Bohème</em> This summer I’m reading <em>Scènes de la vie de Bohème</em>

Man, I tried so hard to get this commissioned as a radio drama, because I want everyone to know what a ride this book is.

Masc et femme fatale Masc et femme fatale

parterre box celebrates the beginning of Pride Month with a throwback to one of the queerer events in recent operatic memory: a bit of Carmen starring Jamie Barton and Stephanie Blythe!

This summer I’m reading <em>How Sondheim Can Change Your Life</em> This summer I’m reading <em>How Sondheim Can Change Your Life</em>

Not about opera per se, Sweeney Todd notwithstanding, but I’m looking forward to reading the poignant and touching ode to Sondheim’s oeuvre by Richard Schoch.

L’italiana in Algeri L’italiana in Algeri

A live broadcast from Rome

This summer I’m reading <em>The Uncle from Rome</em> This summer I’m reading <em>The Uncle from Rome</em>

Joseph Caldwell produced this charming tale from a year spent in Italy on the Rome Prize from the American Academy of Arts and Letters.

This summer I’m reading poetry by Muriel Rukeyser This summer I’m reading poetry by Muriel Rukeyser

I think most of us have come around to recognizing John Adams‘s Doctor Atomic the masterpiece that it is.

Antony and Cleopatra Antony and Cleopatra

The final live weeknight broadcast of the 2024-25 season from New York

This summer I’m reading <em>Dom Carlos</em> This summer I’m reading <em>Dom Carlos</em>

A bleak and somber version of the familiar story by Saint-Réal, mixing facts with fiction, making it even more tragical than the Verdi opera.

This summer I’m reading <em>The White Hotel</em> This summer I’m reading <em>The White Hotel</em>

Because D.M. Thomas‘s book was a famous book back in its day — I read it in the mid-eighties, yet have forgotten 90% of what it’s all about.

This summer I’m reading <em>Fifty Five Years in Five Acts</em> This summer I’m reading <em>Fifty Five Years in Five Acts</em>

Astrid Varnay‘s autobiography. Entertaining, cogent. Shows wit and character. Much more than “I sang, I got applause, and everyone loved me.”

Did somebody say something? Did somebody say something?

Act now to join the starry ranks of The Talk of the Town contributors for a new quarter of à propos chitter chatter!

Il barbiere di Siviglia Il barbiere di Siviglia

A live broadcast from New York

Werther Werther

Benjamin Bernheim sings the title role opposite Marina Viotti in a performance from Paris recorded last month

Armerjacquino says you <em>must</em> watch <em>The White Lotus</em> Armerjacquino says you <em>must</em> watch <em>The White Lotus</em>

I’m bending the rules a little here, and not only substituting TV for film, but turning the category on its head by doing Movies At The Opera rather than the other way round.

Il fascino immortale Il fascino immortale

Corinne Winters is back at the Met and back in the pages of parterre box, which inclines us to share a bit of Winters in Jenufa

Il trovatore

A live performance streamed from the Wiener Staatsoper.

Montagu James says you <em>must</em> watch <em>Apocalypse Now</em> Montagu James says you <em>must</em> watch <em>Apocalypse Now</em>

Francis Ford Coppola‘s Apocalypse Now (1979) uses Richard Wagner‘s “Ride of the Valkyries” to terrifying effect, depicting the brutality and horror of impersonal aerial warfare in the Vietnam War.

La bohème La bohème

A live broadcast from New York

Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em> Leyla Gender-Bender says you <em>must</em> watch <em>Godfather III</em>

While Godfather III is definitely the weakest movie in the eponymous trilogy, partly due to a miscasting of Mary Corleone, I have nothing but praise for the wonderful, almost inspirational use of Cavalleria Rusticana in the finale of the movie.

Der junge Lord Der junge Lord

Henze‘s opera in a live broadcast from the Maggio Musicale Fiorentino

Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em> Carmen Paddock says you <em>must</em> watch <em>The Talented Mr. Ripley</em>

The Talented Mr. Ripley x Eugene Onegin.

Entrance of the Willis Entrance of the Willis

Rachel Willis-Sorensen is the winner of the 2025 Beverly Sills Award, per the Met press office