So many Frida Leider clips to choose from, but I’ll pick this one because it is so different from what we might think of as the “typical” Wagnerian dramatic soprano.

Nowhere are the contradictions between Wagner’s small-mindedness, his meanness of spirit, and his human insight on clearer display than in Hans Sachs monologue Wahn, Wahn überall Wahn in the third Act of Mesitersinger.

The 1966 Bayreuth Festival production of Tristan and Isolde, conducted by Karl Böhm provides Nilsson with the cast she truly deserved, including Wolfgang Windgassen, Christa Ludwig, Martti Talvela, and Eberhard Waechter.

Die Walküre Met 12/6/1941- Helen Traubel, Astrid Varnay (debut), Kerstin Thorborg, Lauritz Melchior, Friedrich Schorr, Alexander Kipnis, cond. Erich Leinsdorf

Eva Maria Westbroek in her prime, in a role in which I find her unsurpassed among current singers.

As a frequent visitor of Parterre’s Jones Home (ah, the early internet!), I’d be remiss not to share this favorite clip of two queens maximizing their joint slay.

For me, Hans Hotter‘s interpretation of Wotan is a convincingly successful interpretation of this role.

I’d long ago given up on my Goldilocks search for a “just right” complete Tristan und Isolde recording starring Jon Vickers, my hands-down tenor of choice.

There was that Tristan.

The complete RCA Furtwängler Tristan is actually my top favorite, but the Ponnelle staging in Bayreuth featuring René Kollo and Johanna Meier is my top sentimental favorite, because it was my first full Wagner performance.

I’d never heard Götterdämmerung in a live performance until 1985 at The Dallas Opera. OMG, so long ago!

It took me a while to “warm up” to Wagner.

Régine Crespin singing the Wesendonck Lieder is the most beautiful Wagner singing I’ve ever heard.

All of the Teatro Colón live opera recordings conducted by Fritz Busch are special, but his 1936 Parsifal is my favorite.