“If the Metropolitan Opera were one of the more advanced European theaters, last Friday night’s new production of Manon Lescaut might actually have made some kind of perverse sense. . . . Mr. Eyre’s production… was just another in a series of ugly, gargantuan stagings signaling the Met’s endemic lack of imagination or artistic ambition.” [New York Observer]
End of the line
“Mr. Eyre’s production… was just another in a series of ugly, gargantuan stagings signaling the Met’s endemic lack of imagination or artistic ambition.”
By La Cieca La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
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Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.