“Even when the opera performed is a masterpiece, a truly superb opera performance is exceedingly rare…. So it’s all the more remarkable that Alexander Borodin’s Prince Igor, an uneven, fragmentary work, should yield a performance that ranks with the highest peaks of Peter Gelb’s incumbency at the Met and for that matter would be the jewel of any opera company in any golden age. Opera audiences are resigned to slogging through dreck; this Igor makes the slog worthwhile.” [New York Observer]