Cher Public

Geh such dir die Stars vom vergangenen Jahr!

tristan-flagstad-melchiorOn Monday, the Met kicks off its 132nd season with a new production of Wagner’s Tristan und Isolde by Mariusz Trelinski, with Sir Simon Rattle leading a premiere cast of Nina Stemme, Ekaterina Gubanova, Stuart Skelton, Evgeny Nikitin and René Pape (not pictured).  Read more »

Winter afternoon’s dream

Netrebko in recitalStandard fare threatened to dominate the final weekend of February at the Met: a routinely-cast revival of Cav & Pag plus two recent productions by the house’s favorite Eyre-head. But then there were also two extraordinary opportunities to indulge in divadienst of the “An(n)a-in-excelsis” genus—Saturday offered another chance, announced only 24 hours earlier, to sample Ana Maria Martinez’s unexpected Butterfly, then Sunday afternoon brought Anna Netrebko’s exceptional, sold-out sui generis all-Russian recital.  Read more »

She declares witheringly

“I do not approve of anything that tampers with natural dress size. Dress size is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern vocal pedagogy is radically unsound. Fortunately in England, at any rate, vocal pedagogy produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square.” [The Telegraph]

Erwartung at Emerson’s Bar and Grill

La Cieca wishes the divine Jessye Norman the very best of luck with her newly-released autobiography Stand Up Straight and Sing, because—not to put too fine a point on it—it doesn’t look like the diva is going to make much of a go of her second career as a saloon singer.

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Putting on the Ritz

Leave it to that savviest of all divas, Jessye Norman, to work a subtle product placement into the very first chapter of her newly-released autobiography, Stand Up Straight and Sing.

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