Cher Public

  • semoyer: Thanks. I hope to be able to watch. I think it will start 4 pm EST – Right? 1:40 PM
  • benrenki: Ich habe deine Mutter vergiftet. 1:21 PM
  • NPW-Paris: I see Puccini was in contact with d’Annunzio about a libretto but the latter’s fees were exorbitant. 12:57 PM
  • Lohengrin: Try it via internet www.zdf.de and www.3sat.de or via www.schoener-ferns ehen.com 12:47 PM
  • semoyer: Is this available in the US? 12:17 PM
  • PCally: And Westbroek’s DVD/Blue-Ray from Amsterdam. Much finer Minnie and much better production and a solid enough supporting... 11:00 AM
  • Krunoslav: “Ist das noch der Diwan auf dem sich dein Vater verblutet hat?” 10:48 AM
  • Lohengrin: Let´s see when she will wear it again…… ; 9:54 AM

Snow business

bohemeLos Angeles saw the first U.S. performance of Giacomo Puccini’s snow-dusted weeper in 1897 just a year after the young Toscanini led the prima in Turin. LA Opera in its unending, some might say hellbent, quest to engage the company town in the art of the lyric theatre invited film director, former Broadway choreographer and perennial Academy Award nominee Herbert Ross, of Turning Point and Steel Magnolias fame, to stage our latest production of La Bohème way back in 1993.  Read more »

Site unseen

giovanna amazonGiuseppe Verdi was so unhappy with the first production of his Giovanna d’Arco at La Scala in 1845 that he swore an oath to himself that he would never entrust that theatre with a prima again. His other vow was to never speak with the impresario Bartolomeo Merelli after he oversaw what Verdi considered a substandard mounting and then had the audacity to sell the rights of the score out from under him to Ricordi. La Scala waited twenty-four years, until the Italian revision of his La Forza del Destino, before he finally relented.
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To live and die (with honor) in L.A.

ButterflyLos Angeles first saw Giacomo Puccini’s Madama Butterfly presented at the Mason Opera House downtown in 1908 by the English Grand Opera Company. Rumors that LA Opera Artistic Director Placido Domingo portrayed Cio-Cio San’s little boy in that production remain unsubstantiated.  Read more »

salonen

La lune est encore sur la mer

There was a general feeling of homecoming in the hall on Friday evening in anticipation of what promised to be a special return visit on many levels.

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Flute 4

Out there in the dark

The revival of Mozart’s The Magic Flute at the Music Center downtown, last seen at LA Opera in 2013, is reason for jubilation for everyone except perhaps the singers engaged.

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magic amazon

Every little thing she does is magic

Ms. Guy goes into detail about what made Sills a “magic” performer, recounting reactions of people across an extraordinarily broad socio-economic spectrum who discovered their love of opera and singing through her.

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Sutherland amazon

Everytime we say goodbye

Gather around while I play Ghost of New Year’s Eve past!

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Aida amazon

Ardori inospiti

The most recent Egyptian voluptuary of 2006 by our friend Franco has now been replaced by the most singularly spartan production of Verdi’s masterpiece I think I’ve ever seen.

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Turandot_Dessi

Gli enigmi sono due

Giacomo Puccini’s final opus interruptus is and shall always remain my favorite opera. The reasons for this preference are so varied and numerous that if they were printed and bound the volume would most assuredly require its own stand.  

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Norma 1

The rite stuff

Remember that time you went to the opera and the entire evening was perfection?

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