Cher Public

Patrick Mack

Patrick Mack starting listening to opera as a teenager to the total bewilderment of his rock and roll mother. He sang leading roles in the opera departments of Santa Monica College and UCLA and for two years in the Baltimore Symphony Chorus. In 2003 he joined the tenor section of The Verdi Chorus which has been giving young singers paid performance opportunities for over 30 years. He has served on their Board of
Directors since 2012 and handles their publicity, marketing, and Facebook page. Patrick is a luxury cruise consultant with All-Travel in
Los Angeles and was honored as one of the Top 25 Travel Agents in the country in 2015 by Travel Agent Magazine. Having weaned himself from an
early age on the musical opinions of Andrew Porter in the New Yorker, he has been wielding the critics pen on Parterre.com since 2011.
His singing of the national anthem has never failed to impress those standing closest to him at any public event he attends.



The fire of artifice

Ms. Fleming silently inhaled and let out the most beautiful and controlled stream of tone I think I may have ever heard.

My mother and I went to see Three billboards Outside Ebbing, Missouri a couple weeks back. As we sat, enveloped, in the plush luxury jet seating of our local cinema the film started and the “Beautiful Voice” (© registered trademark) came over the sound system cooing the famous aria from Flotow’s Martha. My mother leaned in and quietly whispered,”Is that Leontyne Price?” to which I replied,”Shhhh!”  Read more »

Melody and more

The arrival of a new recording of Giuseppe Verdi’s Otello into the catalogue, to say nothing of a new tenor capable of singing Otello, is generally cause for hosannas all around in operatic circles. The knife-sharpening tends to start a little later.  Read more »

Dames and divas

Since the unveiling of Claus Guth’s “One small step for man” La Boheme at the Paris Opera, which he had the audacity to set in space, opera fans of a certain era world wide have suffered a myriad of complaints including feigned coronary angina, pseudo ocular migraine, and apoplexies of every sort imaginable. I read one comments section on the interwebs where a veritable Cassandra of theatrical trend righteously swore that this was precisely the reason they decided to stop going to the opera decades agoRead more »

Babylon revisited

What if you could time travel back to the first run of Giuseppe Verdi’s first great success Nabucco?

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Diver gent

Georges Bizet’s Les pêcheurs de perles has been knocking steadily at the door of the standard repertoire now in this country for quite some time.

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In her role debut as Carmen, Ana María Martínez gets lost in the shuffle.

Carmen denominator

When you attend a performance of Georges Bizet’s Carmen you can never be quite certain which one you’re in for.

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Tragedy tonight

In May of last year tenor Piotr Beczala and soprano Anna Netrebko sang in Lohengrin for the first time under the baton of Christian Thielemann in his home house at the Staatskapelle Dresden.

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Serenade

The Broad Stage presented Joseph Calleja in their Celebrity Opera Series May 10 with a concert called A Tribute to Mario Lanza.

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From the sublime to the stentorian

W.C. Fields used to have a funny trope about in show business you should never work with children or animals. To that list should perhaps be added the soprano Anna Netrebko.

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Crate expectations

Not a few eyebrows arched on social media when L.A. Opera appropriated the hashtag “Fight like a girl” on street level poster adverts all over town for the revival of their 2013 production of Giacomo Puccini’s Tosca. 

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