At Wolf Trap Opera, a season-closing Tosca is weighed down by an incoherent setting during Italy’s Anni di piombo.
Leontyne Price in her early prime is soaring and radiant in traditional Christmas songs.
It’s not so much that I hated the Met Opera’s Grounded. I’m just not convinced that it should have been an opera.
Dramaturgically, The Hours is a mixed bag: I wouldn’t discard it, but I would want to fix it. But simply as an evening of gorgeous music and singing, it’s cordon bleu.
Give the creators credit for producing an emotional response.
Silent Night is in a sense a giant middle finger raised against the conventional wisdom that musical sophistication requires inscrutability.
The Manchurian Candidate is indeed operatic: outsized characters, a doomed love story and a narrative fraught with suspense.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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