One moral is that Eugene O’Neill may just not be opera fodder.
Having had many memorable encounters with these characters before, I had been looking forward to encountering them again in an ambitious contemporary Oresteia, but I left the Armory feeling that writer-director Robert Icke just didn’t get it.
Trove Thursday offers Shostakovich’s 1962 Katerina Izmailova with Australian soprano Marie Collier as its anti-heroine and Jon Vickers as her lover.
Ninety-five years ago, Evelyn Lear was born on January 8 in Brooklyn, and Trove Thursday remembers the soprano with one of her earliest successes: Schreker’s Die Gezeichneten co-starring her husband Thomas Stewart, Helmut Krebs and Franz Crass.
“Camp” is exactly the lens through which The Velvet Touch is best examined, including an utterly bewildering cross-pollinating of genres.
By the end, we have rolling heads, a lot of screaming, and cheap horror too often overwhelms the better instincts of the screenwriters.
Let’s call this meeting to order. My name is Patrick and I’m a boxset-aholic.
This year’s treat was Vittorio Gnecchi’s Cassandra, completed around 1905
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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