Christopher Corwin and Andrew Lokay provide dual perspectives on the National Symphony Orchestra‘s performances of Puccini’s triple-bill.
Baritone John Brancy smoothly traverses the American songbook at Carnegie Hall.
Annapolis Opera presented a celebration of Leonard Bernstein’s reflections on love, relationships, and marriage, pairing a fully staged production of Trouble in Tahiti with a collection of songs from other Bernstein compositions.
With the Philadelphia Orchestra’s Candide, they saved the best (of all possible worlds) for last.
Sunny, lakeside Cooperstown presents a peppy, exuberant, winning production of West Side Story, the musical.
I mean, how often does one get to hear Bernstein’s gorgeous, rollicking, and varied score nursed by a full orchestra and the artistic resources of an opera company?
My mailbox is filled with cards and letters, all asking the same question: “Croche, is there a classical music angle to the escalating conflict in Crimea?” My answer is: “Indeed there is!”
I have to be honest, when I first got this CD from Cieca cara I thought, “What the fuck did I get myself into?” My assignment was to review the new Naxos recording of Leonard Bernstein‘s Mass. I did this show 10 years ago in school and it was not a happy experience. So, at…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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