Nostalgia ain’t what it used to be.
As far as I know, Juan Diego Flórez last appeared in New York City (not totally to his advantage) as Alfredo in the Met’s garish new production of La Traviata back in December 2018, nearly five years ago.
In any case, we are now in the Queen’s garden of the Palace in Madrid. It is the day before the coronation of King Philip. Coronation? What coronation?
The only correct version of Don Carlos must be in French. That is the language that Verdi composed it in and he made all his revisions in that language.
Mr. Wilson’s production concept, according to his liner notes, has more to do with Paris at the time of the premiere and a “world of memory” than it does with the storytelling of civil war in medieval Spain.
The musical director of the Opera Royal de Wallonie at Liege is currently experiencing the early phase of a promising international career in music.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
I clearly remember the day I first heard the voice of Cesare Siepi.
While Farinelli and the King isn’t the only Broadway play to have explored castration (Sweet Bird of Youth, anyone?) it’s likely the first to concern a legendary 18th century opera star.
Today is Handel’s 332nd birthday and “Trove Thursday” celebrates with a rare live broadcast of his best-known opera Giulio Cesare in Egitto.
Trove Thursday presents as compensation Verdi’s Jérusalem with Cecilia Gasdia, Veriano Luchetti and Silvano Carroli conducted by Donato Renzetti.
Those who enjoyed (at least aurally) the Met’s recent La Donna del Lago may be craving more of the master from Pesaro, so 2015’s final “Trove Thursday” presents Torvaldo e Dorliska.
Mounting Verdi’s French grand operas in their original language is no longer as unusual as it once was.
Imagine two tenors releasing French opera aria collections at the same time without duplicating a single track!
Giuseppe and I have always had a complicated relationship.
In spite of sounding like an indelicate football injury, I Lombardi alla prima crociata was only Giuseppe Verdi’s fourth opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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