Unnecessary performance problems
Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.
14 pieces since 2009.
Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.
For nearly 70 years, New York City was the world capital of concert opera thanks first to the American Opera Society, then to Eve Queler’s Opera Orchestra of New York.
I’ll just note that Cameron and I listened separately; we didn’t compare notes; and on our own, came up with the same list of top three singers… none of whom were among the actual winners.
While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.
Otto Nicolai’s Il Templario with Juan Diego Flórez, Clémentine Margaine and Luca Salsi.
When soprano Yihan Duan started to sing her aria, you could feel an almost electric charge that something special was happening.
“Trove Thursday” offers due local Lombardi: one with Renata Scotto and José Carreras, the other with Aprile Millo and Carlo Bergonzi.
Puccini’s Girl closes out the 20th century and gallops into the 21st.
In March 1973, OONY’s second season featured Francesca da Rimini starring Raina Kabaivanska, Plácido Domingo and Matteo Manuguerra.
Puccini’s Madama Butterfly with an unexpected heroine: the electrifying Julia Varady, seduced and abandoned by the suavely ardent Giacomo Aragall.
There is a self-effacing quality to Jonas Kaufmann’s concert film An Evening with Puccini.
There is a simple elegance to the single-composer recital album format. For the listener in the mood for, say, Puccini, it’s a chance to delve into his music without any pesky interruptions by those other guys like Verdi or Massenet. And if one is also in the mood for a particular singer’s art, then the […]
Although she has made headlines on this side of the Atlantic largely because of her recent dismissal by Franco Zeffirelli from a Roman production of La traviata on the grounds of “physical inadequacy,” Daniela Dessì is a topflight star in Europe. In her native Italy she is arguably the most popular soprano currently active. Over […]
Edgar has always been the odd man out in the Puccini canon, lying well outside the standard rep. The recent discovery of forty minutes of additional music is likely to do little to change that, but the find was momentous enough to merit a world premier of the newly restored Four Act version of Puccini’s […]
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