On Thursday night, July 29th, I attended the Colorado Music Festival’s concert entitled “Epic Opera”. The program as advertised on the CMF website was to feature the Prelude and Liebestod from Tristan und Isolde with soprano Jane Eaglen, followed by Lorin Maazel‘s suite “The Ring Without Words”. Unbeknownst to me, or presumably anyone else until…
So, if you wondering when the spit is going to hit the fan (to quote another great ’50s teen angst opus), well, the date you’re looking for is October 9, 2010. Why is that date so special or unusual, you ask? Well, for the currently ailing James Levine, it’s the day he’s supposed to be in…
An ambitious and Wagner-smitten Ruggero Leoncavallo wrote his rarely heard opera I Medici (Historical Action in Four Acts) as the beginning of what he planned as “an epic poem in the form of a historical trilogy.” Taking his lead from the Ring, Leoncavallo called his planned trilogy Crepesculum, an homage to the Italian translation of…
Take a Wild Ride with a Valkyrie!! Yes, that’s what all the signs say around Old Baghdad-by-the-Bay…. So, fasten your seatbelts, y’all, it’s going to be a bumpy night! As it turned out, Die Walküre was an unexpectedly wonderful ride, marking the debut of someone who could be a very important new Brünnhilde, Nina Stemme.…
With the production of Siegfried, the “Ring for the 21st Century” staged by La Fura dels Baus finally hits its stride.
The Catalan theatre company La Fura dels Baus, under the baton of Zubin Mehta, brought forth a new production of Wagner’s Der Ring des Nibelungen in 2007 in Valencia. The brochure for the DVD release calls this “A Ring for the 21st Century” and tells us that stage director Carlus Padrissa has employed “…imagery for…
Okay, La Cieca has sifted all the evidence thus far, and she has done Pravda-style scrutiny of what was said and what was left unsaid (particularly by Peter Gelb) in the most recent New York Times analysis of the issue, and ignoring the most recent Jeremiads from Rome on account of the fact that pretty…
1. DON’T STAGE THE OVERTURE. Surprise: Verdi and Rossini and Wagner Mozart actually worked in the theater most of their lives, so give them credit for knowing that the overture is there to get the audience in the mood, to ease their transition from “outside” to “inside.”
A new CD set of Der Ring des Nibelungen, recorded live at the Bayreuth Festival in 2008, is slim on superstar casting, but basks in the reflected glory of conductor Christian Thielemann, a controversial artist with a passionate following. So how does the music measure up?
“What the…?” was my first thought when I opened the small manila package last week, unmarked save the NY return address. Inside I found a Wagner compilation CD set from an unknown label- not the obscure Spanish opera I had ordered online the week before. Although I saw no accompanying invoice, I assumed an Amazon…
Siegfried Wagner ‘s 1903 opera Der Kobold (The Goblin) is a fascinating yet infuriating work. It often seems as if both music and libretto were written by a committee that couldn’t come to agreement. The plot structure careens wildly from realism to mysticism to symbolism; the music hops from style to style and influence to…
The ArtHaus Musik DVD of the Deutsches Nationaltheater/Staatskapelle Weimar production of Wagner’s Das Rheingold, stage directed by Michael Shulz, begins with a long still shot: That’s right, this interpretation of Wagner’s epic 19-hour cycle kicks off with a long static shot of… some dirty red boots. It’s gonna be a long Gesamtkunstwerk.
La Cieca sat in on the “Cognitive Theater” discussion tonight at the New York Public Library, and the main impression she came away with is that Patrice Chéreau is a very quiet, soft-spoken man who happens to be a genius. (She was expecting something more fiery, but like many of the great divas, it seems…
La Cieca should know by now that any think piece that kicks off with the locution “I have from time to time wrestled with this conundrum” is just going to piss her off and she should just close the tab. But she didn’t, and this is what she found a little lower down (in more…
Our Own Gualtier Maldè reports: The Met’s orchestra and audience have found a new conductor to love: Daniel Barenboim.  The debutante conductor got a huge ovation before he even lifted his baton. Lots of applause for Danny B. all night from an adoring audience including a generous amount at his final bow. There was lots of touchy feely…
“As implied by the title, this collection probes deeply into Wagner’s vast Ring…. Among the highlights is the revealing chapter on the many characters than Wagner has managed to cram into his Ring. Also covered are the brass instruments that Wagner designed specifically for use within his Ring.” The infelicitous title of this musiciological study…
The celebrated dramatic soprano Astrid Varnay died earlier today in Munich. She was 88 years old. A few highlights from her 55 year career can be heard in this podcast. Included are scenes from Die Walkure, Tannhauser, Elektra, Der Fliegende Hollander, Der Rosenkavalier, Parsifal, Siegfried, and Tristan und Isolde. powered by ODEOUPDATE: one of the…
The upscale art book for opera lovers this holiday season is George Tsypin Opera Factory: Building in the Black Void (Princeton University Press). Tsypin is designer of choice to directors Julie Taymor, Peter Sellars and Francesca Zambello; his most familiar work to New Yorkers is perhaps his Met Zauberfloete in collaboration with Ms. Taymor. The…
The decentralization of the music business is progressing so quickly La Cieca can hardly keep up. (Though it’s not like she’s completely in the loop; as you know, she only recently found out that Giulio Ricordi had died!) The very latest (as of this morning) is that Apple has launched a new build of iTunes…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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