Assuming Facebook and Instagram will remain inaccessible through the evening, here’s something to amuse you meantimes: La Cenerentola from the Teatro Real in Madrid.
By La Cieca
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Lawrence Brownlee “Rising” at Carnegie Hall
Tenor Lawrence Brownlee, “one of the most in-demand opera singers in the world today” (NPR), performs an anticipated program of newly commissioned works with texts drawn from great Black authors and poets of the Harlem Renaissance. Thursday, March 23 at Carnegie Hall. (Photo: Zakiyah Caldwell Burroughs)
Virtual vocal coach Karen takes on the lean, lovely, lustrous larynx of Dusty Pörn.
By La Cieca
The Teatro San Carlo di Napoli’s lavish outdoor concert series continues with Aida featuring Jonas Kaufmann and Anita Rachvelishvili.
By La Cieca
A scene from Les Contes d’Hoffmann with Michael Fabiano, which may or may not be seen soon at L’Opéra national de Paris.
By La Cieca
In preparation for her much-awaited Met debut, Lise Davidsen sings the arioso from Queen of Spades.
By La Cieca
Here’s a look at the genuinely sensational performance by Asmik Grigorian in a new Manon Lescaut in Frankfurt.
By La Cieca
La Cieca has discovered a document of Plácido Domingo‘s faute de mieux Metropolitan Opera farewell performance.
By La Cieca
The expression “gayer than eight guys fucking nine guys” gets thrown around a lot these days…
By La Cieca
She makes it into a mash-up of Cours-la-Reine and “A Great Lady Has An Interview.”
By La Cieca
Your doyenne’s origin myth must always be understood to begin with the bite of a radioactive soprano way back in 1976.
By La Cieca
The ever-astonishing Cecilia Bartoli riffs on the Gershwins’ “Summertime.”
By La Cieca
Ardent, astonishing, animated Anthony Roth Costanzo has just unveiled the music video for “Vivi, tiranno.”
By La Cieca
La Cieca wishes to be among the first to congratulate Jessye Norman, who has emerged from semi-retirement to leap upon the musical theater bandwagon.
By La Cieca
Here’s a set of comments that I think really captures the duality of YouTube — two criticisms of Jonas Kaufmann. I won’t say which I personally find more valid!
Legendary diva and long-time friend of parterre box Aprile Millo offers a gracious and witty speech in acceptance of the Verdi d’Oro Prize in Busseto.
By La Cieca
It seems everyone is raving over Calixto Bieito‘s production of L’incoronazione di Poppea at Opernhaus Zürich.
By La Cieca
The Royal Opera House’s production of La bohéme (featuring Matthew Polenzani as Rodolfo) goes live on YouTube at 2:15 this afternoon.
By La Cieca
La Cieca is delighted to remind her cher public that the parterre YouTube page (called operazine) has been newly refurbished and updated.
By La Cieca
Maria Callas’s most outstanding Adalgisa, out of all she partnered with, was Fiorenza Cossotto.
By Niel Rishoi
Finally, medical science offers the answer to the conundrum that has baffled opera fans for decades: what was Renée Fleming thinking?
By La Cieca
In November, everyone wanted to hear more about Jonas Kaufmann‘s Johnson.
By La Cieca
So La Cieca has been hearing complaints lately that she is not linking to videos of Russian guys singing excerpts from La traviata while eating Tater Tots.
By La Cieca
