Here’s a look at the genuinely sensational performance by Asmik Grigorian in a new Manon Lescaut in Frankfurt.
By La Cieca
5 comments
Sponsored
Sponsored content on parterre box
parterre box, “the most essential blog in opera” (New York Times), is now booking Sponsored Content for autumn and winter 2019. This flexible advertising space follows the look and feel of editorial content on parterre box and is ideal for both short and long campaigns. Ask about our deep not-for-profit discounts!
La Cieca has discovered a document of Plácido Domingo‘s faute de mieux Metropolitan Opera farewell performance.
By La Cieca
The expression “gayer than eight guys fucking nine guys” gets thrown around a lot these days…
By La Cieca
She makes it into a mash-up of Cours-la-Reine and “A Great Lady Has An Interview.”
By La Cieca
Your doyenne’s origin myth must always be understood to begin with the bite of a radioactive soprano way back in 1976.
By La Cieca
The ever-astonishing Cecilia Bartoli riffs on the Gershwins’ “Summertime.”
By La Cieca
Ardent, astonishing, animated Anthony Roth Costanzo has just unveiled the music video for “Vivi, tiranno.”
By La Cieca
La Cieca wishes to be among the first to congratulate Jessye Norman, who has emerged from semi-retirement to leap upon the musical theater bandwagon.
By La Cieca
Here’s a set of comments that I think really captures the duality of YouTube — two criticisms of Jonas Kaufmann. I won’t say which I personally find more valid!
Legendary diva and long-time friend of parterre box Aprile Millo offers a gracious and witty speech in acceptance of the Verdi d’Oro Prize in Busseto.
By La Cieca
It seems everyone is raving over Calixto Bieito‘s production of L’incoronazione di Poppea at Opernhaus Zürich.
By La Cieca
The Royal Opera House’s production of La bohéme (featuring Matthew Polenzani as Rodolfo) goes live on YouTube at 2:15 this afternoon.
By La Cieca
La Cieca is delighted to remind her cher public that the parterre YouTube page (called operazine) has been newly refurbished and updated.
By La Cieca
Maria Callas’s most outstanding Adalgisa, out of all she partnered with, was Fiorenza Cossotto.
By Niel Rishoi
Finally, medical science offers the answer to the conundrum that has baffled opera fans for decades: what was Renée Fleming thinking?
By La Cieca
In November, everyone wanted to hear more about Jonas Kaufmann‘s Johnson.
By La Cieca
So La Cieca has been hearing complaints lately that she is not linking to videos of Russian guys singing excerpts from La traviata while eating Tater Tots.
By La Cieca
The legendary performance of “Hey Big Spender” by Marilyn Horne, Carol Burnett and Eileen Farrell has shown up on YouTube.
By La Cieca
Note to naysayers: there is nothing wrong with this singing!
By La Cieca
Since no doubt the New York contingent of the cher public are already shuddering in anticipation of a Kristine Opolais Tosca as a “gala” New Year’s Eve treat, La Cieca thought you might enjoy—again, surely too strong a word—a preview of sorts.
By La Cieca
Fiery Latinas Carol Burnett and Julie Andrews strike sparks!
By La Cieca
For those of you who missed the live webcast of Rossini’s Otello last weekend (and for those of you who want to see it again.)
By La Cieca
