In the fall of 2015, I ended a seven-year hiatus from live opera with two of Alban Berg’s staged works. Both were new productions—the first being William Kentridge’s palimpsestic abstraction of a Lulu at the Met, and a week later, David McVicar’s stark, Weimar Republic inspired Wozzeck at the Lyric Opera of Chicago. Read more »
Highlights of the Metropolitan Opera’s 2019-2020 season will include the company premiere of Glass’s Akhnaten featuring Anthony Roth Costanzo and first local Turandot of Anna Netrebko (not pictured), according the always intriguing Met Future Wiki. Read more »
“After five flops in a row, Mr. McVicar continues to win new assignments from the Met: in the 2017-2018 season alone, he’s booked for Bellini’s Norma and Puccini’s Tosca, with Cilea’s Adriana Lecouvreur down the line.” [Observer]
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Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience. Since my first, the Salome of 2008, I have gone to more of the HDs than I have skipped, and I have caught up with many of the ones I missed via PBS broadcasts, DVD releases and Met Player. Read more »
Lilith. Pandora. Circe. Salome. “La Belle Dame sans Merci.” Carmen. Brigid O’Shaughnessy: the eternal “femme fatale” still fascinates us.
Cher Public