On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.
Alban Berg’s compact yet potent oeuvre has long played an outsized role in shaping my understanding of music’s aesthetic evolution.
Highlights of the Metropolitan Opera’s 2019-2020 season, according the always intriguing Met Future Wiki.
After five flops in a row, Mr. McVicar continues to win new assignments from the Met.
Unlike my friend Greg Freed, who entertainingly wrote of his ambivalence about seeing Il trovatore in a movie theater this season, I have embraced the Met Live in HD transmissions as a part of the modern operagoing experience.
Lilith. Pandora. Circe. Salome. “La Belle Dame sans Merci.” Carmen. Brigid O’Shaughnessy: the eternal “femme fatale” still fascinates us.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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