parterre‘s very own Max Keller opens up in The New York Times (!) about how starting T has affected their voice
Zack Woolfe of The New York Times remembers James Jorden
There is applause at the end of the opera, not none at all.
parterre‘s very own Max Keller opens up in The New York Times (!) about how starting T has affected their voice
Zack Woolfe of The New York Times remembers James Jorden
There is applause at the end of the opera, not none at all.