Through a lucky coincidence of timing, I was able to catch up with Cat on a Hot Tin Roof, a play I adore, in two productions playing at the same time.
By David Fox
62 comments
Sponsored
Reach your audience through parterre box!
parterre box, “the most essential blog in opera” (New York Times), is now booking display and sponsored content advertising for spring and summer 2023. Join Carnegie Hall, Lincoln Center, Warner Classics and many others in reaching your target audience through parterre box.
Philadelphia’s memorably if quirkily named Idiopathic Ridiculopathy Consortium deserves to be better known.
By David Fox
We shared a feeling that writing about The Fugitive Kind was a date with destiny.
This Cat seems more together than most. Unlike many of the teleplays we’ve considered so far, this one is actually directed by a Tony-winning theater director, and I’d venture that accounts for its relative success.
Like any good gay theatergoers, we seek out Tennessee Williams revivals with the fervor of truffle-sniffing pigs.
André Previn‘s A Streetcar Named Desire, with the “People’s Diva” herself in the iconic role of the unstable Blanche DuBois.
In what surely must count as La Cieca’s idea of a perfect storm, Zachary Woolfe interviews Calixto Bieito in the New York Times.
By La Cieca
