The music was at every point dramatically compelling, without seeming cheap or manipulative.
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Two opera houses, both alike in dignity (but less so in resources and international fame) launched their seasons this week, making similar out-of-the-box choices: new works on edgy, contemporary themes.
Sylvia Korman previews The Listeners, the latest and most ambitious opera by Missy Mazzoli and Royce Vavrek that opens this week at Opera Philadelphia with tickets for just $11
Hunger was the note of the night, a sentiment shared between the audience and Proving Up, a lean and hungry one-act telling a story of drought and desperation on the post-Civil War Western frontier.
Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera.
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