November was Akhnaten month at parterre box.
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
Friday evening’s Met premiere of Akhnaten was a resounding triumph and an outstanding testament to Philip Glass’s enduring operatic vision.
Bass Zachary James models his brand-new tattoo of the winged sun featured in the Philip Glass Akhnaten scenic design by Tom Pye.
It was a timeout—but maybe it was a timeout we deserved.
Highlights of the Metropolitan Opera’s 2019-2020 season, according the always intriguing Met Future Wiki.
Akhnaten, seen at the Los Angeles Opera on November 13 tells the story of the Pharaoh who abandoned traditional Egyptian polytheism.
Saturday’s Washington National Opera premiere of a new version of Philip Glass and Christopher Hampton’s Appomattox had everything going for it but the opera.
Philip Glass’s 25th opera The Perfect American was originally commissioned for New York City Opera during the aborted regime of Gerard Mortier.
Something contemporary for the cher public: starting at 2:00 PM on Wednesday, the new Philip Glass opera The Perfect American.
“Is a work an opera simply because its creators choose to call it one?”
The repertory for the upcoming season of the English National Opera (also known as “Peter Gelb‘s shopping list”) boasts the world premiere of a new opera by Philip Glass, The Perfect American, which imagines the last days of Walt Disney.
Composer Philip Glass will appear this evening in support of Occupy Museums in Lincoln Center plaza during the Met’s final performance this season of his Satyagraha. The demonstration is described by Occupy Museums as “an open conversation at 10:30 pm about the effects of increased privatization and corporatization of all aspects of society, and the…
