Grounded
A performance recorded earlier this season in New York
The mothership and mecca of opera in America—and home base for Parterre Box.
A performance recorded earlier this season in New York
The Saturday Matinee Broadcast season starts with a performance from the Metropolitan Opera
A recent conversation with a friend who has loved Die Frau ohne Schatten for twice as long as I have been alive revealed that we both had some unresolved questions about the plot.
Il trovatore may be famous for its melodramatic plot and unlikely mistaken identities, but surely even Verdi and Cammarano couldn’t have imagined the chaos of a performance featuring two Manricos and two Leonoras.
This archly traditional production of La bohème was a little shaky on opening night. It nevertheless had a full complement of sterling individual performances to take us on home.
After an uneven gala performance of Tosca on Tuesday, I’m not sure what the Met means by “celebrating Puccini.”
Miguel Harth-Bedoya leads Angel Blue, Elena Villalón, Daniela Mack, and Alfredo Tejada in Osvaldo Golijov and David Henry Hwang‘s opera
Ainadamar functions on two levels: as a defiant dance against fascist totalitarianism and as an exaltation of the diva.
Rare is the revival of Il trovatore that boasts five first-rate singers, and such an occasion should be treasured. And so, at the Met last Saturday, it was.
Miguel Harth-Bedoya leads Angel Blue, Elena Villalón, Daniela Mack, and Alfredo Tejada in Osvaldo Golijov and David Henry Hwang‘s opera
Marco Armiliato conducts Benjamin Bernheim, Erin Morley, Pretty Yende, Clémentine Margaine, Vasilisa Berzhanskaya, and Christian Van Horn in a live broadcast from New York
Ainadamar never quite found its identity between the two poles of conceptual and concrete.
Miguel Harth-Bedoya leads Angel Blue, Elena Villalón, Daniela Mack, and Alfredo Tejada in the Metropolitan Opera premiere of Osvaldo Golijov and David Henry Hwang‘s opera
Xian Zhang conducts Aleksandra Kurzak, SeokJong Baek, and George Gagnidze in a live broadcast from New York
Yannick Nézet-Séguin conducts Emily D’Angelo, Ellie Dehn, Ben Bliss, and Greer Grimsley in an opening night broadcast of Jeanine Tesori and George Brant‘s new opera from the Met
It’s not so much that I hated the Met Opera’s Grounded. I’m just not convinced that it should have been an opera.
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