Like Emily discovering her gift in The Weight of Light, Vanguard fellows (ideally) come through a process of intense multivocality with a stronger sense of their own individual voice.
In 1982 I saw Turandot at the San Francisco Opera, the year after I became an opera fan, and it was my first live opera.
Rachel Willis-Sørensen might be the greatest American soprano right now who doesn’t sing much in America.
It’s time to discuss Zinka Milanov.
La Cieca is actively searching now for a weekly audio or video feature to permanently replace the defunct “Montag Mit Marianne.”