I enjoy being a valkyrie I enjoy being a valkyrie

So, take a look after the jump and tell La Cieca the two things that are wrong (they’re related) about the cover of the Met’s new Ring DVD/Blu-ray.

on August 09, 2012 at 11:15 AM
Rung number Rung number

Unlike Mozart, the young Gioacchino Rossini seldom let his ambitions strain relations with employers.

on August 08, 2012 at 11:23 AM
The Wurm turns The Wurm turns

The Met’s controversial Ring cycle, directed by Robert Lepage (not pictured) and conducted by TBA (possibly pictured) makes its home video debut on September 11.

on August 07, 2012 at 11:50 PM
Questions and antlers Questions and antlers

Verdi’s only successful comic opera, Falstaff, is notably hard to produce.

on August 01, 2012 at 12:34 PM
Puccini three ways Puccini three ways

Puccini’s evening of one-act operas Il Trittico seems to be riding a wave of popularity over the last few years, with a new production at the Met and several high-profile productions in America and Europe.

on July 31, 2012 at 7:21 PM
Virgin territory Virgin territory

The chicken or the egg?

on July 27, 2012 at 4:39 PM
See the pretty diva in that mirror there See the pretty diva in that mirror there

The diva must be a Diva in Adriana Lecouvreur. Fact.

on July 25, 2012 at 12:45 PM
Disoriented Disoriented

The most wonderful thing about opera on video is the vicarious thrill of seeing performances of important works in the most glamorous foreign theaters in gala presentations with musicians of great renown for a piddling fraction of the cost.

on July 23, 2012 at 4:15 PM
Rodent show Rodent show

This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?

on July 19, 2012 at 1:22 PM
Roma holiday Roma holiday

Manuel de Falla’s La Vida Breve makes its video debut with this release from C-Major which means there’s still plenty of opportunities for improvement.

on July 14, 2012 at 10:30 PM
Summer knights Summer knights

Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing…

on July 10, 2012 at 1:25 PM
Revolutionary Rhodes Revolutionary Rhodes

The cover picture on the Opera Australia’s DVD of a 2011 production of Mozart’s Don Giovanni is rather startling.

on July 06, 2012 at 4:54 PM
The Prussians are coming The Prussians are coming

Sometime in 1753, Frederick The Great of Prussia, following a tiff with his great friend Voltaire, began writing an opera libretto in French prose that was to elucidate his ideas about the role of an enlightened monarch.

on July 05, 2012 at 11:14 AM
A disc fit for the gods A disc fit for the gods

As we lurch into the month of July, La Cieca (not pictured, one hopes) wants quietly but firmly to draw the attention of her cher public to some of the more interesting releases on audio and video newly available on Amazon.com.

on July 01, 2012 at 1:21 AM
Round midnight Round midnight

As a child I had but a few criteria that were necessary to ensure a happy entertainment. These included mostly ball-gowns, fairy godmothers and Julie Andrews, though Sally Ann Howes was acceptable in a pinch.

on June 22, 2012 at 11:16 AM
Blonde item Blonde item

This year, I attended one of Natalie Dessay‘s only fully-sung Traviatas at the Met.

on June 18, 2012 at 11:45 AM
Shadow, no doubt Shadow, no doubt

Richard Strauss’s “last romantic opera,” as he called Die Frau Ohne Schatten, is and has always been a problem child.

on June 14, 2012 at 2:55 PM
Cold case Cold case

The operas of Leos Janácek have been slowly gaining ground in the world’s theatres over the past fifty years.

on June 12, 2012 at 1:54 PM
Stealing Rome Stealing Rome

L’incoronazione di Poppea nearly disappeared from the stage completely after its 1642 Venice premiere and a Naples revival in 1651.

on June 09, 2012 at 6:38 PM
Captive audience Captive audience

Die Entführung aus dem Serail has been a bit of an unruly child recently, with productions by Neuenfels and Bieito dividing audiences and inspiring critics like Heather MacDonald to lengthy manifestos.

on June 09, 2012 at 1:14 PM
The windmills of his mind The windmills of his mind

Jules Massenet’s Don Quichotte was one of a number of commissions from the Monte Carlo Opera that occupied the composer at the end of his life.

on June 04, 2012 at 2:04 PM
Pillow talk Pillow talk

Francesco Cavalli’s 1649 opera Il Giasone (Jason) was virtually a model of the many conventions that had come to be expected in Venetian public opera in the seventeenth century.

on May 31, 2012 at 4:29 PM
Expect opera, pay less Expect opera, pay less

You may remember, gentle readers, that last year about this time Peter Gelb decided to enter into an unholy alliance with Target to benefit their mountainous number of opera loving customers by pre-releasing two Met performances exclusively in their fine emporiums.

on May 25, 2012 at 12:14 AM
Wholly Grail Wholly Grail

Certain opera productions become the stuff of legend as much for the circumstances surrounding the performance as for the musical results.

on May 07, 2012 at 5:19 PM